THE MASS OF THE WESTERN RITES By the Right Reverend Dom Fernand Cabrol PREFACE Theologians, historians, and liturgiologists are to-day in agreement in recognizing that the Mass is the most important function of all Christian worship; and that the greater part of the other rites are in close relation with the Eucharist. This affirmation rests upon the most serious study of Christianity, in antiquity as well as in the Middle Ages; and the various works regarding the Mass, which have been multiplied in recent years, have merely confirmed this truth. More and more have the faithful, in their turn, become convinced of it; while even those who are without the Faith are beginning to interest themselves in the Mass, and to endeavor to know more of its history and to understand its meaning. These facts explain the number of books which have recently appeared on this subject. A glance at the Bibliography printed at the end of this Preface will suffice to give an idea of their extent, and may serve as a guide to those who wish to study the question more deeply. This consideration might have dissuaded us from adding to all these works (some of which are excellent) another book on the Mass. But we may first remark that the "Bibliotheque catholique des sciences religieuses"[1] had, from the beginning, comprehended in its plan a volume on the Latin Mass as one of the elements of its synthesis. Further, it may be noticed that the larger number of the books whose titles we quote are chiefly, and sometimes entirely, occupied with the Roman Mass, while our own plan comprises a study of the Latin, or Mass of the Western Rites; that is, of the Mass as celebrated in Africa, Gaul, Spain, Great Britain, and Northern Italy and in the other Latin countries in the Middle Ages, as well as in Rome. Now this comparison of the different Latin rites is most suggestive. Better than all other considerations it reveals first the relationship of these rites, and the fundamental unity of all the liturgies under their different forms. Then, as we shall see, it throws light on the rites of the Roman Mass which, consequently on the suppression of some of their number, can only be understood by comparison with more complete rites. It must be added that the Mass is so rich in material that each may study it from his own point of view, and while receiving much benefit from the latest works on the same subject, may present his own under a new aspect. Thus, following Mgr. Duchesne's book, Mgr Batiffol thought it worth while to give us his "Lecons sur la Messe;" and assuredly no one will consider that these "Lessons" are a repetition of the work of his illustrious predecessor, or of any of the other books already published upon this subject. To those who may recognize in our own study views already exposed by one or other of the authors quoted, we may remark that many articles in our "Dictionnaire d'archeologie chretienne et de liturgie" (anamnese, anaphore, canon, etc.) had taken chronological precedence of the greater part of these books, so that in drawing inspiration from them we have but made use of the "jus postliminii." This, then, is the line we shall follow in this new study of the Mass; and, while conforming with chronology, it seems to us at the same time to be the most logical. We shall first examine the Mass in the first three centuries, during which a certain liturgical unity reigned, and while the different Christian provinces of the West had not each created its own special liturgy. We shall then explain (Ch. II) how and why, from the fourth to the seventh century, those liturgical characteristics which distinguish the various Latin families became definite. According to these principles we shall attempt to establish the classification of these liturgical families and their genealogy. In the following chapters we shall rapidly sketch the general characteristics of the Mass in Africa, Gaul, Spain, Milan, and Great Britain. It goes without saying that the Roman liturgy having become our own, as well as that of the West (with rare exceptions), and also that of the East, the Far East, and the New World--in short, of most Christian countries--it demands detailed study, as well as a close following of its historical development from the fifth to the twentieth century. We have, according to the usual method, placed in an Excursus certain questions which would have delayed the progress of the work, since they can be studied separately. Such are: the chants of the Mass, the liturgical gestures, the meaning of the word "Missa," the ancient books now united in the existing Missal, the different kinds of Masses, etc. We hope that those who are willing to follow us on these lines will arrive at certain conclusions, and, if they are not specialists (for whom this book is not written), that their ideas as to the great Christian Sacrifice will be clearer and more precise. The Mass as it is to-day, presents itself under a somewhat complicated form to the non-Catholic, and even to a large number of the faithful. The ceremonies, readings, chants, and formulas follow each other without much apparent method or logic. It is a rather composite mosaic, and it must be confessed that it does seem rather incoherent. Rites, indeed, have been added to rites; others have been rather unfortunately suppressed, and where this is the case, gaps, or what have been styled "gaping holes," appear. But the historical and comparative method applied in this book explains the greater part of these anomalies, making it fairly easy to reconstitute the synthesis of the Mass, to grasp the guide-line, and, once in possession of the general idea which has presided at all these developments, to understand the whole better when light is thus thrown on the details. The Mass thus studied throughout its different epochs reveals a magnificent theological and historical thesis. We have not been able to insist on this point as strongly as we could have wished, because in the first place these volumes are not intended to be books of spiritual edification, nor, strictly speaking, of apologetics. But it seems to us that here facts speak for themselves, telling us why the Mass has from its very origin taken its place as the true center of the liturgy; how it has drawn everything to itself; how at one moment it was almost the whole liturgy, in the sense that, primitively, all Christian rites gravitated round it. At the same time Sacrifice and Sacrament, the One Christian Sacrifice and, if one may say so, the most Divine of the Sacraments, it sums up and sanctifies all the elements which have made of sacrifice the center of the greater part of all religions; first, by the idea that man owes to God homage for the gifts he has received from Him and that he recognizes His dominion over all creation; then, by the idea that he must expiate his faults in order to render God favorable to him; lastly, by a certain desire to unite himself to God by participation in that sacrifice. Thus the Mass raises the idea of sacrifice to its highest expression, whilst purifying it from all the false notions which had obscured it in pagan religions. For the Christian, too, it is the best means by which to unite himself with his brethren in communion with Christ. Prayer in common, the Kiss of Peace, above all the participation in the same Banquet of the Body and Blood of Our Lord are so many expressive, living symbols of Christian unity, of Catholicity, of charity. For the Christian, again, the Mass is an efficacious help along the road of the spiritual life. One of his essential duties, common to all men, is to praise God in His works, to offer Him our thanks, to present our requests to Him: in a word, to pray. Now the Mass is the center of the whole Divine Office; we even believe it would be possible to show that at one time the first part of the Mass was the most eloquent and, indeed, the only mode of expression of this official prayer. The Mass, then, sums up the greatest mysteries of our Faith. The faithful Catholic is present at the Last Supper, at the Passion and Death of Our Lord upon the Cross ù he realizes what Christ has willed by the institution of this Divine Sacrament and by the accomplishment of His Sacrifice on Calvary. He is invited to share in that Banquet which was the Last Supper, when Our Lord gives Himself in Holy Communion; and, being present at the bloody Sacrifice of Calvary, he sees what Christ has suffered for the sins of the whole of humanity as well as those of His own disciples. Theologians and all mystical writers have dwelt upon these different aspects of the Mass, and when once the claims of erudition and of history are satisfied it will be easier and more profitable to go direct to these authors, for so far from being an obstacle, the exact knowledge of facts is, on the contrary, of the greatest assistance to true piety. ENDNOTES 1. "La Messe en Occident," of which the present volume is a translation, was published (1932) in the above series. BIBLIOGRAPHY LE BRUN (Pierre), "Explication litterale, historique et dogmatique des prieres et des ceremonies de la Messe," remains the most complete and learned work on the Mass. It has been many times republished, and has not lost its value. (First edition, 4 vols., Paris, 1726.) The first volume contains the "Explication de la Messe romaine," the second and third, "Etude des diverses liturgies orientales et occidentales," the fourth, dissertations on different subjects, notably on the "Silence des prieres de la Messe." The work of Mgr. DUCHESNE, "Origines du culte chretien" which is in reality an "Etude sur la liturgie latine avant Charlemagne" (fourth edition, 1908), is an admirable synthesis of the Latin liturgies which has on more than one point shown the subject in a new light, though several syntheses, even in the opinion of the writer, are subject to revision. Mgr. BATIFFOL, in his "Lecons sur la Messe" (Paris, 1919), has laid down on this subject the latest pronouncements of criticism. In the "Eucharistie (La Presence reelle et la transubstantiation" (fifth edition, revised, Paris, 1913) he had already studied the history of Eucharistic dogma from its origins to the Council of Ephesus. ADRIAN FORTESCUE in "The Mass, a study of the Roman liturgy"(London 1912), had approached the same subject a few years earlier; his book treats specially of the history of the Roman Rite. See also his article "Mass" in the "Catholic Encyclopaedia." JOH. BRINKTRINE:, the latest comer, "Die Heilige Messe" (Paderborn, 1931), has also treated the subject specially as a historian and liturgiologist. M. GIHR, "Le Saint Sacrifice de la Messe" (2 vols., Paris, 19O1), a theological, ascetical, and liturgical "summa" upon the Mass, containing a great quantity of information. AD. FRANZ, "Die Messe im Deutschen Mittelalter "(I vol., 8vo, Freiburg-im-Breisgau, 1902). Cardinal SCHUSTER, "Liber Sacramentorum, Notes historiques et liturgiques sur le Missel romain," translated from the Italian (6 vols., Brussels, 1925-1930). Dom J. DE PUNIET, "La Liturgie de la Messe" (Avignon, 1928). P. MARANGET, "La Messe romaine" (Brussels, 1925). Dom E. VANDEUR, "La Sainte Messe "(Maredsous, 1928, seq.). The articles "Eucharistie" and "Messe" in the "Dictionnaire de Theologie catholique," and in DACL (which, once for all, may be said to stand for "Dictionnaire d'Archeologie chretienne et de Liturgie"), and the same articles in U. CHEVALIER, "Topo-bibliographie," for the Bibliography; there is also a Bibliography in FORTESCUE, op. cit., p. 541 seq. In our own pamphlet on THE MASS there is a chapter on the literature of this subject. See also in DACL the articles "anamnese," "anaphore," "Communion," "canon," "Eucharistie," "elevation," and others mentioned in the course of our work. Ch. ROEAULT DE FLEURY has written a fine monumental work in his "La Messe," consisting chiefly of archeological studies (4to, Paris, 1883-1889). The most valuable information is to be found here upon the furnishing of churches, the ornaments and sacred vessels, and upon all those things connected with the service of the Mass. AUTHOR'S NOTE.--The works of Duchesne, Batiffol, Gihr, Schuster, and De Puniet mentioned above have been translated into English. CHAPTER I THE MASS, FROM THE FIRST TO THE FOURTH CENTURIES. LITURGICAL UNITY The Eucharistic Synaxis.--The aliturgical (non-liturgical, or without the Eucharist) Synaxis.--The days and hours of the Synaxis.--The Eucharistic Prayer. It must be laid down from the beginning of this chapter that during this first period the Mass has what we may call a universal character. No regional distinctions appear; and our own divisions into Oriental and Occidental, or Greek and Latin liturgies, had no reality in those days. It was not until the fourth century that the geographical and political division between the East and West was truly established. Thus during the first three centuries it may be said that there were no liturgical families, but only one single Christian liturgy, where, in a certain sense, unity reigned. The word "unity," however, must not be taken too literally. It is true that so far there was no division into liturgical families, but there was great variety of usages and rites. The law was "great liberty," and it may be said that there is more difference between the liturgy of the Didache, that of Hippolytus, and that of Serapion than there was, later, between the liturgies of Byzantium, of Rome, and the Mozarabic and Gallican liturgies. The differences are rather those between church and church; the old churches of Jerusalem, Antioch, Alexandria, Rome, and Carthage were great liturgical centers. But the differences existing between the different churches did not prevent peace and unity from reigning amongst them. In the second century Polycratus, Bishop of Ephesus, tells us that Pope Anicetus invited St. Polycarp to celebrate the Mass. And a little later Firmilianus, Bishop of Caesarea in Cappadocia, the correspondent of St. Cyprian, remarks in his turn that the varieties of ritual then existing (in the middle of the third century) made not the least difference to unity.[1] What was the Mass during this first period? How was it celebrated? What were its principal elements and, if evolution has taken place, what were its different stages? To answer these questions the best method seems to us to study the following points: 1. The Eucharistic Synaxis. 2. The aliturgical Synaxis (separated from the Eucharist). 3. The days and hours of the Synaxis. 4. The Eucharistic Prayer. 1 THE EUCHARISTIC SYNAXIS.--The word "synaxis" comes from "sunaxis," gathering together; "sunaxein," to meet or gather together. It was early employed in the language of Christians to designate an assembly, and especially an assembly to hear Mass. The Church was born in Jewish surroundings. It is a fact that the first Christians, Apostles or disciples, were Jews by birth, or proselytes, on the day of Pentecost, the true Birthday of the Church. So it was during the years that followed, until the day when, by the preaching of St. Paul, the Gentiles entered the Church, of which very soon they became a majority. This is of the highest importance, all the more because there was never any brutal rupture between the Church and the Mosaic religion. The Church indeed always condemned the Marcionites and all those who, with them, proscribed the ancient law and those who had come out from it. Most preciously did the Church guard the Pentateuch and all the inspired books of the Jews. This means that She preserved faith in the God of the Old Testament; that She kept the Decalogue--that is, the laws of universal morality and all the Old Testament theology. But at the same time She was no Judaiser. She separated Herself from the synagogue and declared Herself against it, as a distinct society which had its own organization, institutions, and laws. Just as She condemned the Marcionites, so She expelled the Judaisers from Her company, as those who desired jealously to retain circumcision and the other Jewish practices. It was the same thing as regards the liturgy. When the Church was born the Temple was still standing, with its sacrifices, its highly complicated ceremonies, its priesthood. It is true that the Apostles still went to pray at the Temple, but here one most important fact must be noted. The first of the faithful formed a band apart. The Jews saw in them a sect desirous of separating itself from Judaism, against which they fought furiously, and tried to suppress as a disloyal and dangerous body. And this separation was more keenly accentuated day by day. We can, of course, see how natural it was that many of the new Christians should still remain attached to the ancient form of worship. These were the Judaisers. We find them mentioned in the Acts. St. Paul in his Epistles fights against them; raising his voice against those who wished to circumcise all new converts, to force them to observe the new moons, the Jewish feasts, etc. All that had to cease. He claims the right of liberty for these new converts. It is not the Law and its observances which will save them; it is the Faith in Jesus Christ, obedience to His precepts, docility to His teaching. Naturally, between these two parties there were innumerable shades of difference, but as time went on these shades gradually effaced themselves. These practices of the Law were only shadows; figures reflected in the new worship, but which in the end must give way to it, "et antiquum documentum novo cedat ritui." Moreover, in a few years (A.D. 70) a most important event would give the final blow to the Jewish worship and its sacrifices. The Temple was destroyed by the Roman armies, and the inhabitants of Jerusalem were dispersed. A new form of worship was instituted for the Christians in those private meetings, which are many times mentioned in the Acts. (Acts ii. 42, 46. Cf. Acts xx. 7, seq.) Prayer was offered, and the Breaking of Bread took place. This Breaking of Bread was the Mass. In what, exactly, did it consist? The converts met to celebrate anew that Banquet, the Last Supper, which took place in the Cenacle on the night preceding the death of Our Lord. This is stated in texts of the first importance, for it is upon their witness that the whole tradition of the Mass is based. There is first the witness of the three synoptic Gospels, St. Matthew, St. Mark and St. Luke, whose accounts may be summed up as follows: On the first day of the "Azymes," which is Thursday, the Apostles, at the request of Our Lord Himself, prepared a room where He might celebrate the Pasch with His disciples. It was the Jewish custom, and Our Lord had assuredly not failed to observe it throughout the preceding years. But this time the banquet was to have a supreme importance, for He knew that this meal was the last He should take with His Apostles. Now, "coenantibus eis," as St. Matthew says, during the meal, and no doubt towards the end, Our Lord took bread, blessed it, brake, and gave it to His disciples, saying: "Take, eat, this is My Body." Then, taking the chalice (the cup containing wine mingled with water), He offered it to them, saying: "This is My Blood of the New Testament" (the New Covenant) "which is shed for many for the remission of sins." Then, "hymno dicto," the prayer being said, they went out to the Mount of Olives. There Our Lord entered into His Agony, and the soldiers, led by Judas, came to seize Him (St. Matt. XXVi. 13--15) We know what followed, and the story of that night whose details the Evangelists have given us; the scenes of the Crucifixion and Death on Good Friday. The same account which we have just quoted from St. Matthew is found with little variation in St. Mark and St. Luke.[2] As for St. John, faithful to his system, he does not repeat what the three synoptic Gospels have related; but contents himself with completing them as occasion arises. Thus he gives us details omitted by them as to the Last Supper, and the discourse of Our Lord during and after the meal. His seventeenth chapter contains what is called the Sacerdotal Prayer of Christ, which may be considered as the Divine commentary on the Eucharist. In his sixth chapter, on the occasion of the multiplication of the loaves, he had set forth teaching of incomparable precision upon the Eucharist. "Except you eat the flesh of the Son of Man, and drink His blood you shall not have life in you" (vi. 54). Lastly, St. Paul is a fifth witness, and not the least. He, in his Epistle to the Corinthians (I Cor. xi. 23-29) gives us a detailed account, the most ancient in our possession, of the way in which the early Christians celebrated the Eucharist. These different texts having been explained elsewhere, I content myself with noting certain principal points upon which almost every one is agreed.[3] It is a question of a repast which was the Paschal meal. At its close Our Lord took bread and wine, and in virtue of His Blessing and of His words they were changed into His Body and Blood. We use the theological term transubstantiated to mark that of the bread and wine nothing is left but the species or appearances, the substance having given place to the Body and Blood of Christ. It is a new covenant in the Blood of Christ shed to wash away the sins of the world, and to redeem us, thus it is a sacrifice in intimate union with that of the Cross, which was to take place the next day; a sacrifice, and at the same time a sacramental meal. Upon this point, as upon many others, the synoptic Gospels do not enter into great detail, they merely sum up and abbreviate. One thing, however, is certain: the capital importance of this act in the Life of Our Lord. This can be deduced even from the record of the synoptics, though they relate these Divine events with a disconcerting simplicity which in reality is Divine. The other Sacraments are not mentioned in the Gospels, or only mentioned in a few words. But here each synoptic one after the other, carefully relates the same history which, as has been said, St. John completes. The room where the feast is to be held has been chosen, prepared by Christ Himself. This meal is to be the last in His Life, it is like the last meal of one condemned to death; for the solemnity of death hovers over this brotherly love-feast. It is probably also the Paschal supper, which Our Lord was accustomed solemnly to celebrate with His disciples. His attitude, his very words, all have now a deeper meaning than ever before. He speaks of bread and wine becoming His Body and Blood, and of offering them as food to His Apostles. It is the New Covenant, which is to replace the Old Covenant concluded between God and His people in the time of Moses; the New Testament which takes the place of the Old. A new order of things is beginning, of which we may say with the poet: "novus ab integro saeclorum nascitur ordo." Now St. Paul's text proves that the Christians obeyed Christ's precept; they renewed their celebration of that last banquet in memory of Him, "hoc facite in Meam commemorationem." But they introduced a new element into it. According to St. Paul the Eucharist was accomplished at the close of another repast, which was the "agape." This circumstance has complicated the history of the origin of the Eucharist, but I think the difficulty may be shortly summed up. The agape was a repast celebrated by the Christians, and, as the word indicates, it was a feast of love, or charity. The details given by St. Paul make it easy to understand the possible abuses which might arise from it. The Jews, and even the pagans, had feasts of the same kind. Is the "agape" derived from either of these, or is it specifically Christian? My own opinion is that this question is of little importance. But what we must note is that, according to St. Paul and other witnesses, it was at that time united to the Eucharist. Very soon--probably at the beginning of the second century--the two were separated on account of abuses, and towards the fourth century the "agape" was declining. It must not be confounded with those repasts sometimes celebrated by the Christians on the tombs of the martyrs, or in cemeteries, though these also had a liturgical character. After the text of St. Paul, which throws great light on the question of the Eucharist, I will quote the "Didache." The "Didache," or "Doctrine of the Apostles," is a document discovered in 1883, which is extremely interesting but also most obscure, and about which opinions still vary. We may, I suppose, believe that it was written at the beginning of the second century. It was recognized almost generally as a description of the Eucharist from the moment of its discovery. In recent years many scholars-- and those by no means the least important--have come to the conclusion that it describes the agape, and not the Eucharist. Others again, with, in my own opinion, greater reason, say that part applies to the agape, the rest to the Eucharist (Maclean, Thibaut). Here is the translation of the part which will interest us: "As to the Eucharist, give thanks thus. First, for the chalice: We thank Thee, O our Father For the holy vine of David Thy servant, Which Thou hast made us know through Jesus Thy Servant. Glory be to Thee throughout all ages! Then for the broken bread: We give Thee thanks, O our Father For life and knowledge Which Thou hast made us know through Jesus Thy Servant. Glory be to Thee throughout all ages! As this broken bread, formerly scattered over the mountains, has been gathered together to form a single whole, So may Thy Church be assembled from the ends of the earth in Thy Kingdom, For to Thee is all power and glory by Jesus Christ through out all ages! Let no one eat or drink of your Eucharist if he be not baptized in the Name of the Lord, for it was of this that the Lord said: 'Give not that which is holy unto the dogs.' After you are filled, give thanks thus: We thank Thee, O Holy Father! For Thy Holy Name That Thou hast caused to dwell in our hearts, For knowledge, faith, and the immortality Which Thou hast revealed through Jesus Thy Servant. Glory be to Thee throughout all ages! It is Thou, Omnipotent Master, Who hast created the universe for the honor of Thy Name Who hast given food and drink to man, that he may enjoy them and render thanks to Thee; But Thou hast given us a spiritual food and drink, and eternal life by Thy Servant. Above all, we give thanks to Thee because Thou art powerful. Glory be to Thee throughout all ages! Remember, O Lord, to deliver Thy Church from all evil, And to make it perfect in Thy love. Assemble it from the four winds, that Holy Church, In Thy Kingdom which Thou hast prepared for it, For Thine is all power and glory throughout all ages! Come, Grace, let the world pass! Hosanna to the God of David! Let him that is holy, come! Let him that is not, do penance! Maran-Atha (The Lord comes). Amen. But as to the prophets, let them give thanks as they will."[4] Besides the "Didache" there are numerous passages containing allusions to the Eucharist in the writers at the close of the first and of the second century. St. Clement of Rome has a prayer which is considered Eucharistic; we shall come back to it presently. St. Ignatius gives it the names of "eucharistia" and of breaking "ena harton klontes". He insists that this should be accomplished by the Bishop, and that it is a sign of unity.[5] He uses the word "thusiasterion" to design the place of sacrifice, which clearly points out that, to him, the Eucharist was also Sacrifice. It would also seem that with him the "agape" is still united to the Eucharist (Srawley, loc. cit., p. 31). The testimony of St. Justin in the middle of the second century must be specially noted, since it is an actual description of the Christian assembly: " As for us, after having washed him who believes and has joined himself to us (Justin has just described Christian Baptism), we lead him to that place where are assembled those we call our brothers. With fervor we offer prayers for ourselves, for the enlightened[6] (him who has just received the light of Baptism), for all the rest, wherever they may be, in order to obtain with the knowledge of the Truth, the grace to practice virtue, to keep the commandments, and thus to merit eternal salvation. "When the prayers are ended we give each other the Kiss of Peace. Then to him who presides over the assembly of brothers are brought bread and a cup of water and wine mingled. He takes them, and praises and glories the Father of the universe in the Name of the Son and of the Holy Spirit; then he makes a long thanksgiving for all the benefits we have received from Him. When he has finished his prayers and the thanksgiving, all the people present exclaim: Amen! Amen is a Hebrew word meaning 'So be it.' When he who presides has made the thanksgiving, and when all the people have answered, the ministers whom we call deacons distribute to all those present the consecrated bread, the consecrated wine and water, and they carry them to those who are absent. We call this food the EUCHARIST, and no one can have part in it unless he believe in the Truth of our Doctrine; unless he have received the bath for the remission of sins and regeneration; and unless he live according to the precepts of Christ. For we take not that Food as common bread and common drink. Just as by virtue of the Word of God, Jesus Christ our Savior took flesh and blood for our salvation, thus the Food consecrated by the prayer formed of the very words of Christ, that Food which nourishes by assimilation our own body and blood, is the Flesh and Blood of Jesus incarnate. Such is our Doctrine. The Apostles, in their memoirs which are called Gospels, relate that Jesus Himself announced these things to them. He took bread and, having given thanks, said to them: " 'Do this in memory of Me: This is My Body.' In the same manner He took the chalice, and having given thanks, He said to them: 'This is My Blood.' And to them alone He gave it. The evil spirits have imitated this institution in the mysteries of Mithra: bread and a cup of water are presented in the ceremonies of initiation, and certain formulas are pronounced which you know, or which you may know."[7] It is well to cite even the testimony of the apocryphal writings, some of which indeed are heretical, but which often give us priceless information as to the usages of the second and third centuries. A German author[8] has made a special study of all these texts on the Eucharist. For the heretics also celebrated the Eucharist after their manner; they consecrated bread and wine; they considered the rite as a sacrifice; some forbade wine, declaring they would only consecrate water, whence their name of Aquarians.[9] Sometimes they give the text of the prayer they recited over the bread and wine, and which produced, they thought, its change into the Body and Blood of Christ. At the beginning of the third century we have a text the very high value of which has long since been recognized, and which an English scholar has attributed to St. Hippolytus. This text is that of the Eucharistic anaphora, or of the Canon recited at Rome at the beginning of the third century. To this also we shall return later on. Nor must we forget the African writers of the third century, notably Tertullian and St. Cyprian whose testimony we shall study in Chapter III. Lastly, in the fourth century, we have the text of another anaphora recently discovered. It is that of Serapion, the friend of St. Athanasius, and Bishop of Thmuis in Egypt. This we shall deal with in Chapter IV. 2. THE ALITURGICAL SYNAXIS (WITHOUT THE EUCHARIST).--The liturgic or Eucharistic synaxis, as it is described in these texts, is a gathering exclusively Christian, to which none but the faithful are admitted. The names usually given to it are "Eucharistia" or "Fractio Panis," either equally appropriate, because this rite is, above all, a Eucharistic prayer of thanksgiving; and the breaking of bread for distribution to the faithful is an essential act of it, an integral part. But beyond this Eucharistic gathering there were others which may have been connected with the Eucharist, but which are distinct from it, and in fact are sometimes separated from it. Thus, in that room in which the Eucharistic mystery had already been accomplished, where the Church was to be born, we find the Apostles, after the Ascension, meeting together and persevering unanimously in prayer (Acts i.14). Later on Peter and John, after having appeared before the synagogue, returned to their brethren and addressed that sublime prayer to God which is yet not a Eucharistic prayer (iv. 23 seq.). When Peter was put into prison by Herod the whole Church united in prayer for him (xii. 5, and further on, 12, "multi congregati et orantes"). Pliny, at the beginning of the second century, in his famous text on the Christians, speaks of a first meeting which they held upon a fixed day, "statuto die," probably Sunday; it took place before the dawn, and they sang hymns to Christ as God. In the evening of the same day they met together again for a meal in common, in which some have seen the "agape," but which was far more probably the Eucharist. Many other allusions to these aliturgical synaxes will be found in Clement of Rome, Ignatius, etc.[10] St. Justin also speaks, in the text already quoted, of a meeting at which were read the Holy Scriptures and the memoirs of the Apostles, and at which certain prayers were recited. This meeting was followed by the Eucharistic service. Thus prayers, readings, chants all served as prelude to the Eucharist. We have here I believe the first really precise example of what we call to-day the Pre-Mass, or Mass of the catechumens, as to which I will only say one word. Even in the existing liturgy we find traces of this aliturgical synax separated from the Eucharistic service, as, for example, in the office for Good Friday. It seems evident that this ceremony proceeds from that used in the synagogues on the Sabbath: the singing of psalms, reading the law and the prophets homily--all this is just the material of the Mass of the catechumens. It also agrees with what was said at the beginning of this chapter. From the synagogue the Church freely borrowed those customs which would adapt themselves to her liturgy; but she completed and made perfect such rites. Here, for example, the reading of the New Testament has been added to that of the Old, and we have the admirable whole of the Mass of the catechumens, which will often be mentioned in the course of this book. The fact to be retained is this: there were, amongst the Christians of the first three centuries, beyond the Eucharistic synax, other gatherings which were aliturgical, and which must be distinguished from the Mass although in many cases the aliturgical synax was followed by the Eucharist. In the same way the "agape," a meal quite distinct from the Eucharist, at one time preceded its celebration. The two cases are analogous and when once this distinction is clearly understood it becomes easier to interpret the ancient texts on the Eucharist it is because this analogy was not taken into account that so many writers on this subject have fallen into confusion and error. The pagans were not excluded from these non-liturgical synaxes as they were from that of the Eucharist. Catechumens were admitted to them, and even heretics; but when the Eucharistic service began all these people were sent out, "foris canes," as was somewhat rudely said. As to the vigils celebrated at the tombs of the martyrs, they were another form of synaxis which borrowed not only from the aliturgical gathering but from the agape, and from the liturgical synaxis itself. It was a local anniversary service which took place in the cemeteries, where psalms were chanted and the story of the passion of the martyr was read; and which was often followed by the agape and by the Eucharist. It was sometimes called "pannuchia," because it was celebrated at night, and was supposed to last from the previous evening until daylight next morning. We shall say no more about them here, as they do not exactly form part of our subject, but the ancient writers often speak of them; abuses occasionally took place, and in the end they were suppressed.[11] 3. THE DAYS AND HOURS OF THE SYNAXIS.--Pliny tells us that the Christian synaxes (liturgical or aliturgical) were held before the dawn, and in the evening. Tertullian and St. Cyprian also speak of these early or nocturnal meetings, as well as the different canonical documents of the third century.[12] In order, on days of fasting, not to break the fast, the meeting was kept back until the hour of None, or even till Vespers. Because these gatherings were often held at night the pagans called the Christians a race of night-birds--"lucifugae." From the Acts it would seem that the faithful assembled thus daily. Pliny speaks of a certain fixed day, probably Sunday, which, of course, has been from the beginning the liturgical day par excellence. But from a very early date, especially in the West, Wednesday and Friday were days of meeting; while in the East the day chosen was Saturday. Thus was constituted the Christian week, with its Sunday and its Station days, Wednesday and Friday. In one sense it might be said that the Christian week preceded the Christian, or liturgical, year. The latter, however, does in its germ certainly date from the primitive epoch. Easter and Pentecost are as ancient as Sunday itself; and have contributed in no small degree to the importance of Sunday, since both Feasts were celebrated on that day. Now Easter and Pentecost early formed the sacred Fifty Days; the two Feasts depended on each other chronologically and liturgically. There was a preparation for Easter, in which we see the beginnings of Lent. The principle on which Easter was celebrated applied, from the fourth century, to the Birth of Christ; thus we have the Feasts of Christmas and Epiphany. From this the entire liturgical year was derived. But from the beginning of this century Jerusalem was already ahead of all the other churches; her liturgical year was complete; she celebrated not only Easter and Pentecost, but also the Birth of Christ, the Presentation in the Temple, Lent with all its exercises, Holy Week. All these anniversaries were celebrated in the Holy Places. Thus, if we may so speak, a local liturgical year was created, soon to be imitated in many other churches, and first of all in that of Rome.[13] The anniversaries of the martyrs were also solemnly celebrated, and gave birth to as many Feasts. The compilation of ecclesiastical calendars was in full flower in the fourth century. But this subject leads us away from our own, and we must return to the Eucharist. 4. THE EUCHARISTIC PRAYER.--In the texts we have quoted from the three synoptic Gospels Our Lord pronounces no prayer for the institution of the Eucharist: none, at least, is given us. Neither does St. Paul make any allusion to such a prayer. There are not wanting those who have wished to supplement this silence; and it has been said that such terms as "hymno dicto" (St. Matt. xxvi. 30) after the institution (see St. Mark xiv. 26) presuppose a prayer. It has been also said that, the institution of the Eucharist having taken place after the Paschal meal, Our Lord of necessity recited the prayers in use on that day, as well as the psalms called "Alleluiatic." Bickell's whole thesis rests on this hypothesis; he endeavors to discover traces of the Jewish Pasch in the ancient liturgies, especially in the "Apostolic Constitutions;" and other scholars have followed him along this road. Quite recently Pere Thibaut has undertaken the same task again, in a most interesting thesis. But as has been said other interpreters contest all relation between the Jewish Pasch and the Last Supper of the Christians. Some consider St. John xiv.-xvii. as a Eucharistic prayer, of which Probst finds vestiges in the ancient liturgies. This is possible; but here we are upon hypothetical ground. With more likelihood we may see an anaphoric prayer, "a fragment of an evidently liturgical character" (Duchesne), in a text of the Epistle of Pope St. Clement. This we do not translate here, since it has so often been reproduced elsewhere.[14] After the text of the "Didache," which has become classic, and which has been given above, it will be well to cite that of St. Hippolytus already alluded to, and which under its primitive form is a prototype of all "anaphorae" and Eucharistic prayers, which scarcely do more than develop and paraphrase its theme. "We render thanks to Thee, O God, through Thy well beloved Son Jesus Christ, that in these last days Thou hast sent Him as Savior and Redeemer and Angel (messenger) of Thy will, Who is Thine inseparable Word, by Whom Thou hast made all things, and in Whom Thou art well pleased; Thou hast sent Him from Heaven into the Virgin's womb, where He became Incarnate and manifested Himself as Thy Son, born of the Holy Ghost and of The Virgin; then, accomplishing Thy Will and conquering a new and holy race, He stretched out His Hands in His Passion in order that He might deliver from suffering those who have believed in Thee; and at the moment when He delivered Himself voluntarily to His Passion, in order to destroy Death, to break the devil's chains, to spurn hell under His Feet, to enlighten the just, to fix a term, to show forth the Resurrection, taking the bread and giving thanks He said: Take, eat: This is My Body which shall be mangled for you. Likewise the cup, saying, This is My Blood which is shed for you: when you do this you do it in memory of Me. Remembering then His Death and Resurrection we offer Thee this bread and this chalice, thanking Thee because Thou hast deigned to permit us to appear before Thee and to serve Thee. And we pray Thee to send Thy Holy Spirit upon the oblation of the Holy Church, and uniting them as one, that Thou wilt give to all the Saints who participate (in the Sacrifice) to be filled with the Holy Ghost and fortified in the truth of the Faith, so that we may praise Thee and glorify Thee by Thy Child Jesus Christ, by Whom to Thee is glory and honor, to the Father, Son, and Holy Ghost, in Your holy Church, now and for all ages. Amen.[15] We have also spoken above of the text of that "anaphora" made by an Egyptian Bishop of the fourth century. In a sort of euchology intended for the Bishop, Serapion has composed prayers for the blessing of oil and water, for Baptism, for Ordinations, for the sick and for the dead. A whole series of prayers is recited before the "anaphora" (n. xix.-xxx.) in that part which we have called the Pre-Mass. The Mass of the faithful is composed of the "Prayer of the faithful," of the "anaphora" properly so called, which follows the ancient theme of the Prefaces: the mercy of God in creation, in the Incarnation, the recital of the institution of the Eucharist, the "anamnesis" and "epiclesis," the final doxology of the "anaphora," and the blessing over the people.[16] To give an idea of the Mass at this epoch we may perhaps mention a text which was drawn up in the fourth century, though most of its leading features are more ancient, and to which certain liturgiologists have given a rather exaggerated importance, as they consider that it represents the Apostolic anaphora better than any other. Yet it has not the same value as the anaphora of Hippolytus, though it uses his text. The liturgical design of the Mass is as follows: readings from the Old and New Testaments, preaching; then, prayer for the catechumens, penitents, and those in other categories; the "oratio fidelium," the Kiss of Peace, the ablution of the hands, the Offertory, Preface, "Sanctus," the prayer of institution, the "Anamnesis," "Epiclesis," Memento, Communion, thanksgiving, and dismissal. Book VIII of the "Apostolic Constitutions" is especially interesting on account of the influence it exercised in the East, and even in the West, and at Rome.[17] This is a fresh argument in favor of that liturgical unity in the first centuries, Hippolytus, Serapion, the "Apostolic Constitutions," and even Clement of Rome and the "Didache" all exploit a theme which presents numerous analogies.[18] We find one custom, which is that of the celebrated church of Antioch, retraced in the "Apostolic Constitutions." In another church which rivals that of Antioch in antiquity and fame--that of Alexandria--we have the Canon of Balizeh, which appears to go back to a period less remote, and which shows a different custom. But here, as with the different Eucharistic prayers which we have given, we have a text with a universal tendency, in spite of certain regional characteristics.[19] We must now gather a few conclusions from all these texts. The first is this: From the very beginning of the Church there existed an essential rite, distinct from that of the synagogue; a rite which, from the first moment, seems to take the lead amongst all others, of which in a manner it is the center. It consists of the reproduction and reconstruction of Our Lord's last repast, of the Last Supper in the Cenacle. This rite is found everywhere. We have quoted the texts of Clement of Rome, of Ignatius of Antioch, of Justin, etc. But we could have multiplied our witnesses. A Christian traveler of the third century, Abercius, who had journeyed through the East as well as the West, tells us in a famous inscription: " My name is Abercius: I am the disciple of a Holy Shepherd Who feeds His flocks of sheep on mountains and on plains; Who has eyes so large that their glance reaches everywhere. He it is Who has taught me the faithful Scriptures. He it is Who sent me to Rome.... I have also seen the plain of Syria and all its towns-- Nisibis on the borders of the Euphrates. Everywhere I went I found brethren. Paul was my companion. Faith led me everywhere; everywhere it served as my food, a fish from the spring, very great and pure, caught by a Holy Virgin; continuously she gave it to eat to her friends; she also has a delicious wine, which she gives with the bread."[20] This rite considered as a banquet and a sacrifice, has banished ail the other sacrifices. Although the Church borrowed so largely from the Jewish liturgy, she left them their sacrifices. Those who attempt to discover analogies between the rites of paganism and those of the Christians cannot deny that the peaceful and unbloody Sacrifice of the altar has put an end to all sacrifices of blood. That river of blood which flowed through all pagan temples has been stopped by the Sacrifice of the Lamb. This rite was accomplished with bread and wine. (Certain eccentrics are pointed out, such as the "Aquarians" or "Hydroparastes," who, already prohibitionists, forbade all wine, even at Mass.) Those who partook of it wished to renew the scene in the Cenacle in relation to the Sacrifice of the Cross; and were persuaded that under the species of bread and wine they received the Body and Blood of Christ. The rite, as has been remarked, presents numerous variants when it is studied according to the testimony of different Churches, and great liberty of interpretation and improvisation still reigns; but the general and essential features are the same. What is called the Eucharist, the fraction, the "anaphora," the eulogy, the synaxis, is always and for all the same rite as that which we call the Mass. Through the different witnesses quoted we can find a starting-point in the third or fourth century, whether it be the "anaphora" of Hippolytus or of Serapion, or the Canon of "De Sacramentis;" and thus we are able to retrace our steps through century after century till we come to the time of the Apostles, and to Christ Himself. Thus we may say that an unbroken chain binds our Mass to that of the Apostles, to the Last Supper. It is the proof of the Apostolic origin of our Mass. From that time--that is, from the first three centuries --we see, both as regards the Mass and Baptism, a tendency to develop the very simple original rite. To the kind of liturgic synaxis described, for example, in St. Paul's meeting at Troas, where, after the Apostle's sermon those present "broke bread" before separating, the heads of the Church under whose control the liturgy was constituted, added sometimes one ceremony, sometimes another. The union of the aliturgical synaxis to the Mass is, already, a considerable fact; it is a prelude which in our own day has the same extent as the rite of Sacrifice or of the Mass properly so called. Hippolytus gives us an "anaphora" which is a model of precision and concision. It is a brief, weighty sermon in a single breath; for the whole "anaphora" proceeds without a break from the Preface to the conclusion, which is the Amen of the faithful. The Fraction follows; the Communion, thanksgiving, and dismissal. The centuries to come had a tendency to add fresh rites to this. The "Liber Pontificalis," on which, however, we cannot always rely in these matters, gives us in this case an exact idea of the facts. Such a Pope added the "Sanctus" to the Preface; another added the "Agnus Dei;" another, a sentence to the Canon; yet a fourth has added another sentence. Then there would be a prayer for the offering of the bread; another for the censing; a third for the Communion. Until the day when Leo XIII ordained a series of prayers for the Church, the Gospel of St. John was the conclusion of the Mass. There have been those who said that all these trees prevent us from seeing the forest; and it must assuredly be admitted that those who are for the first time present at High Mass must find themselves rather at a loss. But those who have studied the liturgy and its history will readily find the great lines of the primitive Mass in the Mass of the twentieth century. ENDNOTES 1. The text of Polycratus, P. Gr., T. XX, col. 508; that of Firmilianus, edn. Hartel, T. III, p. 810 seq. 2. St. Mark xiv.; St. Luke xxii. These texts have been studied and commented on with great learning by P. d'Ales, in one volume of this series, "L'Eucharistic," p. 15 seq.; we are thus dispensed from dwelling more fully upon them here. 3. Cf. d'Ales, "L'Eucharistie," p. 15 seq. 4. Trans. (into French), A. Laurent, in the Hemmer and Lejay collection, "Textes et documents." A commentary will be found in Mgr Batiffol, "L'Eucharistie," p. 62 seq. The studies of Armitage Robinson and Connolly place the "Didache" after the epistle of ps. Barnabas. 5. The different texts of St. Ignatius-Philad. 4, Smyrn. 6 & 8, Eph. 20. 6. On the use he makes of this word, cf. J. H. Srawley, "The Early History of the Liturgy," p. 32. 7. 1st Apol. LXV, LXVI, trans. Louis Pontigny, coll. Hemmer-Lejay. 8. Struckmann, "Die Gegenwarth Christi in der hl. Eucharistie nach den Schriftl. Quellen der vornizan. Zeit," p. go seq. Cf. Woolley "Liturgy of Primitive Church," pp. 53 seq. and 138. 9. Cf. the article by Mgr. Batiffol, DACL, "Aquarians." 10. Ign., Eph. 5, 13; Magn. 7; Smyrn. 6. In our "Monumenta Ecclesiae," Dom Leclercq has gathered all the texts from the writers of the first three centuries which concern the Eucharist and these aliturgical synaxes. 11. Cf. the "opusculum" of M. Gastoue, "Les Vigiles" (Paris, 1908). 12. Maclean, op. cit., pp. 128, 129. 13. Cf. our book, "Etude sur la Peregrinatio Silviae, les eglises de Jerusalem au IVe siecle" (Paris, 1895) . 14. Cf. particularly Mgr. Duchesne, "Origines du culte," pp. 51, 52. 15. Trans. (into French) from the attempt to restore the Greek text made by Dom Cagin, "Eucharistia," pp. 294-296. 16. I have analyzed this text in the article "Messe of the Dictionnaire de Theologie Catholique." The French translation will be found in Mgr. Batiffol's "L'Eucharistie," loc. cit. 17. Drew, and after him Fortescue (notably in the article "Mass" in the Catholic Encyclopedia), have attempted to bring out the resemblances between the Roman Mass and that of the Apostolic Constitutions, 18. We have analyzed this text from the A. C. in our article "Messe," quoted above. Cf. col. 1355. 19. We have analyzed this in DACL, art. Canon, col. 1847 seq. In Chapter III we shall cite the text of the Canon in the book "De Sacramentis," which brings us to the end of the fourth century. 20. On "Abercius" and his inscription, cf . DACL, under this heading. BIBLIOGRAPHY Dom CABROL and Dom LECLERQ, "Monumenta Ecclesiae Liturgica" (Vol. I), "Reliquiae Liturgicae vetustissimae" (Paris, 1900-1902)--(all the texts of the writers of the first three centuries on the Mass and Liturgy). F. PROBST, "Liturgie der drei ersten Jahr." (Tubingen, 1870); "Liturgie der vierten Jahr." (Munster, 1897); "Die abendlandische Messe vom 5 bis zum 8 Jahr." (Munster, 1896). G. RAUSCHEN, "Florilegium patristicum," Fasc. VII. "Monumenta eucharistica" (Bonn, 1909). Dom CAGIN, "Eucharistia. L'Anaphore apostolique ou canon primitif" (Paris, 1912). R. H. CONNOLLY, "The So-called Egyptian Church Order," in Texts and Studies (Vol. VIII, 1916). R. MAXWELL WOOLLEY, "The Liturgy of the Primitive Church" (Cambridge, 1910) . A JOHN MACLEAN, "Recent Discoveries" (London, 1915). F E. WARREN, "The Liturgy and Ritual of the ante-Nicean Church" (London, 1912). J. H. SRAWLEY, "The Early History of the Liturgy" (Cambridge, 1912). CHAPTER II THE MASS IN THE FOURTH AND FIFTH CENTURIES, AND ITS DIVISION INTO LITURGICAL FAMILIES Divisions into liturgical families.--Analogies between the Oriental and Latin Liturgies.--Divergencies between the different Western Liturgies. The proposition developed in the previous chapter that in the three first centuries, and even until the end of the fourth, hardly any distinction can be made between the liturgies of different countries, may be taken for granted. But from this moment certain customs which made it possible easily to distinguish between the liturgies of these different lands were established; on one hand between East and West; on the other, between the different provinces of these two great halves of the Roman Empire. As Mgr. Duchesne has justly remarked, the liturgical provinces fall into line with the great ecclesiastical provinces--in the East, Antioch and Jerusalem, closely united from their origin, as contrasted with Alexandria, in the West, Rome, round which were grouped Italy, Africa Gaul, Spain, and, very soon, England and Germany. If we apply that principle, the first division necessary is that between East and West. The day on which Constantine in 325 founded Constantinople, and transported to the city of Byzantium the seat of empire with all its functionaries, that division was accentuated. Habits, standards of cultivation social, political, and even religious tendencies present changed characteristics. Each of the two parts of the Empire had its own language; Greek for the East, Latin for the West; and this difference made itself felt in the liturgy. The Roman liturgy had been Greek until towards the middle of the third century; but the place of Greek was taken by Latin, and the traces of the older language were gradually effaced. The Kyrie Eleison and other similar words still to be found in this liturgy are not, as was formerly wrongly believed, relics of the primitive language, but expressions of universal usage, like Eucharist, acolyte, exorcist, etc., or else, terms which have been introduced in later years. Greek and, for some parts of the East, Syriac, were henceforth the languages of the liturgies born in those countries. The liturgy of Rome was in Latin, as that of Africa then was, and as those of Gaul, Spain, and Milan soon would be. Few can refuse to see in this difference of language, without mentioning political, administrative, or social differences, the establishment of a profound separation between East and West on the one hand, and, on the other, a certain relationship between the provinces of the West. Thus, in our opinion, the first division to establish between the various liturgies is that between East and West. In the East, as already noted, another division existed. The two churches of Antioch and Jerusalem, neighbors, and closely allied as they were, had a liturgy which spread over a part of the East, in Syria, Asia Minor (Cappadocia, Pontus, Bithynia, and Caesarea), and later to Constantinople, Mesopotamia, and Persia. It is represented by the liturgy of the Apostolic Constitutions (fourth century), the Greek liturgy of St. James (sixth century, and perhaps earlier), the Nestorian liturgies of Mesopotamia and Persia (liturgy of Addeus and Maris), the Byzantine, or liturgy of Constantinople (St. Basil and St. John Chrysostom), and the Armenian liturgy. The church of Alexandria followed a use which differed in several ways from the preceding, as may be established by the anaphora of Serapion, and by that of Balizeh, of which we have given a summary in the previous chapter. In this chapter, too, may also be seen the plan and sequence of the prayers in the Apostolic Constitutions and in other liturgies of this class. In the Latin West various liturgical divergencies took shape at Rome, in Africa, Milan, Gaul, Spain, and the Celtic countries. These correspond with that rupture of political unity which was the consequence of the barbarian invasions of the fifth century; of the breaking up of the Roman Empire in 476, and of the separatist tendencies which were the result of these events. We arrive, then, at the following division: ORIENT (EASTERN LITURGIES) Antioch-Jerusalem (Syrian type), Alexandria (Egyptian type) OCCIDENT (LATIN LITURGIES) Rome, Africa, Milan, Gaul, Spain, Celtic countries To this division we will return in Chapter V.; but it may be said at once that as far as the West is concerned, some part of it is based on mere conjecture, and that liturgiologists are by no means all agreed upon particular points. There is, however, a distinct tendency to gather all Latin liturgies into one and the same group.[1] But henceforward it must be noted that liturgical unity is not broken by these divisions. The East and West had characteristics in common. The various Latin liturgies, including the Roman, borrowed largely from the Oriental, notably from that of Constantinople. Rome exercised considerable influence over all the Latin churches, and fresh analogies are continually visible between all these different liturgies, either as the result of borrowing, or of their original unity. It must not be forgotten that travel and other relations between East and West were much more frequent than is sometimes imagined. There were many Greek or Eastern Popes of Rome during the first three centuries. At Milan, seven of the ten predecessors of St. Ambrose have Greek names. St. Ambrose himself by his literary training was more Greek than Latin. One striking example in the history of the liturgy is found in Etheria, who in the fourth century came from the heart of Spain to Jerusalem, and while there described with great precision all the Feasts of the year. She does not fail to note that such and such functions are not carried out in her own country in exactly the same manner as at Jerusalem; while others are similar to those of her own liturgy. Upon her traces followed pilgrims in increasing numbers, eager to visit the Holy Places. Numerous Bishops were attracted to the East by the Councils, or else driven there by the fate of exile, like St. Hilarius. All of which goes to explain the liturgical exchanges. Mgr. Mercati has very truly remarked that connections were established between the Arians of East and West, and that this also contributed to the system of exchanges. It has, moreover, become possible to discern this reciprocal influence of East and West through the study of the most ancient calendars and creeds. Thus there is nothing astonishing in the fact that Oriental elements can be discovered in the Latin liturgies. It is indeed our own opinion that the cause of the analogies between the two groups is to be found rather in the common origin of all liturgies, whether Eastern or Western, or in the exchanges just mentioned, than in the sudden transportation, by the act of a Bishop or some other personage, of an Eastern liturgy into a Western country. Here, then, are some of the divergencies which can already be distinguished between the different Western liturgies. Gaul, Spain, and Upper Italy followed the Oriental Use (notably that of the Church of Constantinople) as regarded the place of the diptychs, the Kiss of Peace, and even the "epiclesis;" while Rome stood apart, either because she had on these points changed her primitive custom, or else because she had had a special Use from the beginning. For the rest, such as the variability of the prayers of the canon, the use of the "Qui pridie" for the Consecration, the importance given to the story of the institution of the Mass, the tendency to compose sacramentaries and other liturgical books, all the Latin countries seem to follow the same current, and there is nothing to show that these books presented special characteristics, whether they were composed at Rome, Milan, Capua, in Gaul, or in Africa. Still, all such compositions reveal a liturgical progress which affects only the West, while the East appears to be unaffected by it.[2] The liturgical vocabulary, the calendar, and certain institutions like Lent, and even the Ember Days, also offer characteristic analogies in the Western liturgies. During this period (fourth-fifth centuries) two liturgies alone, that of Rome and that of Africa, are directly known to us through documents, or by the texts of the authors. As to all the others--those of Upper Italy, Gaul, Spain, and the Celtic countries--the sources from which we may study them are of a much later age than the fifth century, or even than the sixth. I do not say that there is nothing in them which makes for the earlier date, but such inductions are necessarily based on hypothesis. From this moment the design and the framework of the Mass appear with sufficient clearness. In Chapter I we saw of what the first part is composed: the Pre-Mass, or aliturgical synaxis is a preparation, with psalms, readings, and a homily. We shall study it more in detail in the developments which it has gained in the sixth and seventh centuries. Its general characteristics have been outlined by St. Justin and other authors quoted in the preceding chapter. The second part, the Mass properly so called, or Mass of the faithful, was to receive some additions, but henceforth we know that the catechumens and unbaptized were dismissed at this point. The faithful alone remained for the Offering, or Offertory; they had brought the bread and wine which served for the Sacrifice, as well as other gifts which were also blessed at Mass. A special prayer for the Church, or "Prayer of the Faithful," was now said, and the Kiss of Peace was its natural conclusion; doubtless it was only in consequence of the suppression of this prayer, or from other circumstances, that in certain liturgies the Kiss of Peace has been placed immediately before the Communion, where its existence is not less justified. The Eucharistic prayer, or "anaphora," follows; of this we have had specimens in the "anaphora" of Hippolytus, Serapion, Balizeh, and the "Apostolic Constitutions." The chant of the "Sanctus" took its own place in the fifth century, and has divided the Eucharistic prayer into two portions. The story of the Institution is the center of this prayer, which ends with the doxology and "Amen." Then follow the Fraction and Communion. The latter, like the Offertory, involved the passing up of the people, which occupied some time, and from an early date (probably the fourth century) the singing of a chant was instituted at both these moments. Psalm xxxiii. was usually chosen for the Communion, chiefly on account of the verse, "Gustate et videte quoniam suavis est Dominus," which is here so applicable. Afterwards a prayer of thanksgiving was made; the Pontiff blessed the people for the last time and sent them home. Such were the general lines of the Mass in the fourth-fifth centuries. In studying the Latin liturgies, especially that of Rome, we shall see how these principal parts are adorned with new rites and more numerous formulas. Other rites perhaps have been suppressed, but in the main, in the East as in the West, according to the different rites, the framework remains the same. Nothing can be simpler, more logical, and, if we may say so, more rational than this rite which is faithful to primitive tradition. There are certain suppressions which break the general line, or additions which complicate the original design. Certain truths had to be insisted on, certain errors to be fought, new formulas had to be emphasized by the gestures of the priest, or favor shown to recent devotions. After having studied the Latin, Gallican, Mozarabic, Celtic, Ambrosian, and Roman liturgies, we shall attempt, not to reconstitute the primitive Latin liturgy, since this would be but a premature effort, but to establish some of its general characteristics. ENDNOTES 1. Mgr. Duchesne connects the Gallican and Syrian, and the Roman and Alexandrine types of liturgy (fourth edition, p. 55). 2. Cf. "Books of the Latin Liturgy" (Sands, 3s. 6d.). BIBLIOGRAPHY On the classification of liturgies: H. LIETZMANN, "Messe u. Herrenmahl" (Bonn, 1926), P. 262. Mgr. DUCHESNE, "Origines du Culte chretien," p. 64 seq. SALAVILLE, "Liturgia, pp". 887 and 873. FORTESCUE: "The Mass" (1914), a table of the liturgies, p. 76. JANIN, "Les Eglises orientales". Mgr. DUCHESNE, "Les Eglises separees," I vol. (Paris, 1896). BRINKTRINE, "Die Heilige Messe," p. 19 seq. CHAPTER III THE MASS IN AFRICA Origin of the African Liturgy.--The African Mass. Of all the Latin liturgies the African is the only one of which no liturgical document, properly so called, remains to us. All its books have perished; there are neither Sacramentaries nor Lectionaries; no "Ordo" or "libellus" of any kind existing. Yet it is the most ancient of the Latin liturgies; it might indeed be said to have been almost the only one known during the first three centuries, since, until the middle of the third century the Roman liturgy was said in Greek. This fact is of supreme importance. Yet though this absence of all liturgical documents is to be deplored, we find, on the other hand, in African writers up to the fifth century a very large number of allusions to the liturgy, and even several formulas of prayer. In this latter item the African liturgy is the richest of all; but it is none the less true that the lack of authentic liturgical documents makes any study of this rite more or less deceptive, and necessarily hypothetical. We will, however, do our best to supplement this want. THE ORIGIN OF THE AFRICAN LITURGY.--The first question which arises is: what is the origin of this liturgy? The greater number of liturgiologists will reply: Roman. We, however, may well wait for the close of this study before drawing the same conclusion; the question touches that of the origin of the African Church, and both must be resolved simultaneously. Was this Church founded by the Church of Rome? If so, it would be difficult to put aside the contention that Rome, in founding the African Church, did also introduce her liturgy there, since it is hardly possible that Roman missionaries should not have brought their own liturgy with them, or that at a given moment the Africans should have changed it. In any case there is no text to be found in favor of such a conclusion. Unfortunately, the question of the origins of Christianity is here obscure, as it is in most other countries. Many historians hold to the Roman origin, it is true, and it may well be the most probable opinion; but it cannot be proved by direct and decisive arguments. Relations between Africa, Alexandria, and the East were frequent, and it may be that the earliest missionaries came thence to Africa. Some have wished to support this theory, as we shall see, by certain analogies between the African and Alexandrine liturgies; but neither would this be a very solid proof, for the resemblances between Africa and Rome from the liturgical standpoint are very much more striking. Let us for the moment be content to state that the question of the origin of Christianity in Africa cannot enlighten us as to that of its liturgy. Keeping simply to the texts, we must remember, as was said at the beginning, that this liturgy is Latin. Although Greek was freely spoken in this province, and though Tertullian wrote some of his treatises in Greek, the African liturgy is Latin, and to prove this it would be enough to cite the formulas found in the writings of the same Tertullian, of St. Cyprian and other writers, or even in the inscriptions of Roman Africa. THE AFRICAN MASS.--In Tertullian and St. Cyprian we find numerous allusions to the Eucharist and the Mass. By these we know that the synaxis or meeting took place before the dawn; that the Sacrifice, or actual Mass, was preceded by readings, prayers, chants, and by the dismissal of the catechumens. Tertullian blames the heretics who allow these last to be present at the Sacrifice. We also know that the bread and wine were consecrated by the words which Our Lord pronounced at the Last Supper. St. Cyprian sharply rebukes other heretics (Aquarians) who, by a misplaced scruple, left out the wine and declared that they offered the Sacrifice with bread and water; reminding them that the water used at the Mass must be mixed with wine. These two writers also allude to the litanic prayers, to the dialogue which precedes the Preface, to the "Pater," and to some other rites, such as the dismissal of the faithful at the end of Mass. St. Augustine completes this information. We may accept his description given by Mgr. Batiffol (p. 100) of the Pre-Mass. The Bishop, he says, awaits in the "secretarium" (a place close to the Basilica) the moment of entrance. He enters solemnly, but St. Augustine does not speak of the chant which should accompany his entry, and which corresponds with the Roman Introit. He salutes the people, probably with the "Pax vobis," but it does not appear that this greeting was followed by the prayer or collect customary at Rome. The readings, as in Spain, Gaul, and elsewhere, were three in number--the first taken from the Prophets (and called Prophecy, or prophetical reading), the second from the Acts of the Apostles or their Epistles (the Apostolic reading), while the third was from the Gospel. This was followed by the homily of the prelate, who commented on one or another of these lessons; for usually the events of the day, anniversaries, or the Feast itself had determined both the course of reading and the Bishop's sermon. Sometimes the text of the Old Testament or the New was read without choice or interruption; this was the "lectio continua," of which traces may be found in our existing missal (see, for example, the chants for Communion in Lent, the readings for Holy Week, or in Paschal Time, etc.). In other passages St. Augustine speaks of only two lessons, the Epistle and the Gospel, but between the two a Psalm was sung (our Gradual), which the Saint considered as a lesson, and on which he sometimes commented. After the homily the catechumens were dismissed--"catechumeni discedite," says St. Augustine. The Mass of the Faithful was thus composed: Prayer of the faithful; Reading of the Diptychs; Offertory, with chanting of a Psalm and a prayer over the offerings, which corresponds to our Secret, or the "Oratio post nomina;" The "anaphora" or Eucharistic prayer, which is interrupted by the "Sanctus;" The recital of the institution, which is the center of the Mass; "Epiclesis;" Fraction (before the "Pater," as at Rome until the seventh century); Kiss of Peace; Benediction; Communion, with the singing of a Psalm; Thanksgiving; Dismissal. Let us consider some of these different points enumerated. The "Prayer of the Faithful," "preces," "precatio," "deprecatio," consists in the indication by the Bishop of the object of the prayer, of an invitation by the deacon, and of a final prayer by the Bishop. This devotion may be compared to the solemn prayers at Rome on Good Friday, which also contain the indication of the object for which the prayer is offered, "Oremus;" the deacon's order, "Flectamus genua" (here, an instant of recollection or silent prayer); followed by "Levate" and the prayer of the Bishop. The design is the same. We may also compare the "preces fidelium" of the Mozarabic rite, to which an allusion has been found in the works of St. Fructuosus, which at once takes us back to the third century. For Africa, St. Cyprian also makes an allusion to a prayer of this kind.[1] The "Prayer of the Faithful" is described at length by St. Augustine, who tells us that it is the deacon who announces the prayer, but the Bishop who reads it. He exhorts the people to pray for infidels, for catechumens, and for the faithful.[2] In Africa, as at Rome, the faithful offered the bread and wine, and the Bishop asked God to accept them. While the offering was being made, a Psalm was sung (the offertory). In St. Augustine's day this custom was not ancient, for he was obliged to write a book (now lost) against a certain Hilarius, who condemned it. The mixing of wine and water in the chalice is one of those universal traits which we have mentioned as a proof of the unity of the primitive liturgy. St. Cyprian explains this act by saying that the water is the symbol of all Christian people, thus mingled in the chalice with the Blood of Christ (Ep. lxiii.). St. Cyprian, too, is the most ancient witness we possess as to the dialogue before the Preface, "Sursum corda," "Habemus ad Dominum" ("De dom. orat.," 31). St. Augustine, after him, explains the meaning of these words, and completes them, quoting the beginning: "Dignum et justum est." This prayer, which we call the Preface, comes after the "Prayer of the Faithful," and continues till the final "Amen," at the close of the last doxology. It is during the course of this prayer that by the might of the Divine Word the bread is changed into the Body of Christ, and the wine into His Blood (Sermo CCXXVII). After this prayer, which is that of the consecration of the elements, St. Augustine mentions the "Pater." In the article on "l'Afrique (Liturgie post-niceenne de l'Afrique)" I have quoted other texts of St. Augustine, of Optatus, and of St. Fulgentius, which allude to the canon, especially to the "anamnesis." The Kiss of Peace was given after the "Pater," as at Rome. St. Augustine also frequently refers to the Communion, defining it in the terms: "accedere ad mensam," "ad altare," "nostis fideles ad quam mensam." It was given under both kinds, and he seems to give even the formula for Communion: "accipite et edite Corpus Christi et potate Sanguinem Christi," to which the faithful answered "Amen." The Communion chant was Psalm xxxiii., as was the custom generally at this time. There seems to have been a blessing before the Communion, as there was in Gaul and Spain. All these features are fairly general, and in themselves not sufficient to determine precisely to which class this liturgy belongs. However, Mgr. Duchesne and other liturgiologists with him declare without hesitation that, excepting for insignificant details, the African liturgy is identical with that of Rome. Le Blant has pointed out numerous analogies in the inscriptions of these two places. I have also mentioned that the African resembles in a few points the Mozarabic liturgy. W. C. Bishop presses this point in the article cited, and Fr. Thibaut supports him. But let us remember that these resemblances may be explained by the relations between the two provinces, and also by the fact on which we have throughout insisted: the original unity of all liturgies. ENDNOTES 1. Because of this "Prayer of the Faithful," W. C. Bishop thinks that the relations between the Mozarabic liturgy and that of Africa were closer than those between Africa and the Roman liturgy. 2. Mgr. Batiffol quotes these different texts (p. 141); they will also be found, and in greater number, in our article on the "Liturgie de l'Afrique, etc." (DACL). BIBLIOGRAPHY Cf. our article in DACL, "Afrique (Liturgie de l'Afrique ante-niceenne" and "Liturgie de l'Afrique post-niceenne" and the Bibliography at the end of the article). W. C. Bishop, "The African Rite," in the "Journal of Theological Studies," Vol. XIII, 1912, pp. 250-277. Dom W. ROETZER, "Der heil.-Augustinus Schriften als Liturgie-geschichtl. Quelle" (Munich, 1930). Cf. also Dom H. LECLERCQ "l'Afrique chretienne, 2 vols. (Paris, 1904). P. MONCEAUX, "Hist. litteraire de l'Afrique chretienne" (Paris, 1901). CHAPTER V THE MASS AT ROME, FROM THE FIFTH TO THE SEVENTH CENTURIES DOCUMENTS AND TEXTS.--THE ROMAN MASS: Station.--Litany. --Introit.--Kissing of the Altar.--Collect.--Readings and Chants (Gradual, Alleluia, Tract, Epistle).--Gospel.--THE MASS OF THE FAITHFUL: Offertory.--Singing of the Offertory.--Secret.--Preface.--Sanctus.--The Roman Canon.-- Fraction and Pater.--Immixtion.--Kiss of Peace.--Communion.--The last Prayers and Dismissal.--Conclusions. DOCUMENTS AND TEXTS We have, to enlighten us as to this period, several allusions in contemporary writers; while certain liturgical documents explain, with more or less exactitude, how Mass was celebrated at Rome about the sixth and seventh centuries. Other writers of the fifth, and even of the fourth, century, such as Arnobius and the Jew Isaac, allude to the text of the Roman canon. Pope Innocent I (401-417) in a celebrated text forbids the recitation of names (Memento of the living and the dead) at the Offertory in the Roman canon (as was the Gallican and Oriental custom, and also probably the most ancient usage). The Popes Boniface I (418-422) and Celestine I (422-432) attest that the Emperors also were prayed for in this place.[1] Pope Vigilius, in a letter to Profuturus, says that at Rome the text of the canon only varies at Easter, Ascension-tide, Pentecost, and the Epiphany. He sends the Bishop that text of the canon which he believes to be of Apostolic origin. The authors of the eighth-ninth centuries, Bede, Agobard, Amalarius, also bear witness to the Roman canon.[2] In a celebrated work of the close of the fourth century, sometimes attributed to St. Ambrose, and which in any case is almost contemporary with him, which is inspired by his writings, and which belongs to a church of Upper Italy, the author quotes the prayer of Consecration, which, with a few variants, is the very text of our own canon. It is of such importance that it must be given here: TEXT OF DE SACRAMENTIS "Fac nobis (inquit sacerdos), hanc oblationem ascriptam, ratam, rationabilem, acceptabilem, quod figura est corporis et sanguinis Jesu Christi." Qui pridie quam pateretur, in sanctis manibus suis accepit panem, respexit in coelum ad te, sancte Pater omnipotens, aeterne Deus, Gratias agens, benedixit, fregit, fractum que apostolis suis et discipulis suis tradidit dicens: accipite et edite ex hoc omnes: hoc est enim corpus meum, quod pro multis confringetur. Similiter etiam calicem postquam coenatum est, pridie quam pateretur, accepit, respexit in coelum ad te, sancte pater omnipotens, aeterne Deus, gratias agens, benedixit, apostolis suis et discipulis suis tradidit, dicens: accipite et bibite ex hoc omnes: hic est enim sanguis meus. Ergo memores gloriosissimae ejus passionis et ab inferis resurrectionis, in coelum ascensionis, offerimus tibi hanc immaculatam hostiam, hunc panem sanctum et calicem vitae aeternae: et petimus et precamur, ut hanc oblationem suscipias in sublimi altari tuo per manus angelorum tuorum sicut suscipere dignatus es munera pueri tui justi Abel et sacrificium patriarchae nostri Abraham et quod tibi obtulit summus sacerdos Melchisedech. ROMAN CANON Te igitur . . . Memento Domine . . . Communicantes . . . Hanc igitur oblationem . . . Quam oblationem tu Deus, in omnibus, quassumus, benedictam, adscriptam, ratam, rationabilem, acceptabilemque facere digneris: ut nobis corpus et sanguis fiat dilectissimi Filii tui Domini nostri Jesu Christi. Qui pridie quam pateretur, accepit panem in sanctas ac venerabiles manus suas: et elevatis oculis in coelum, ad Te Deum Patrem suum omnipotentem, tibi gratias agens, benedixit, fregit, deditque discipulis suis dicens: accipite et manducate ex hoc omnes: hoc est enim corpus meum. Simili modo postquam coenatum est, accipiens et hunc praeclarum calicem in sanctas ac venerabiles manus suas item tibi gratias agens, benedixit, deditque discipulis suis, dicens: accipite et bibite ex eo omnes: Hic est enim calix sanguinis mei, novi et aeterni testamenti: mysterium fidei, qui pro vobis et pro multis effundetur in remissionem peccatorum. Haec quotiescumque feceritis, in mei memoriam facietis. Unde et memores, Domine, nos servi tui, sed et plebs tua sancta, ejusdem Christi Filii tui Domini nostri, tam beatae passionis necnon et ab inferis resurrectionis, sed et in coelos gloriosae ascensionis: offerimus praeclarae majestati tuae de tuis donis ac datis, hostiam puram hostiam sanctam, hostiam immaculatam, Panem sanctum vitae aeternae, et Calicem salutis perpetuae. Supra quae propitio ac sereno vultu respicere digneris: et accepta habere, sicuti accepta habere dignatus es munera pueri tui justi Abel, et sacrificium patriarchae nostri Abrahae, et quod tibi obtulit summus sacerdos tuus Melchisedech sanctum sacrificium, immaculatam hostiam. Supplices te rogamus, omnipotens Deus: jube haec perferri per manus sancti Angeli tui in sublime altare tuum, in conspectu divinae majestatis tuae: etc. There is no doubt that we have here two editions of the same text; and as that of "De Sacramentis" is localised in Upper Italy and dated about the year 400, it is the most ancient witness we possess as to the principal parts of the Roman canon, which only appear in the Sacramentaries some time after the seventh century. The question as to whether the Roman canon is not older even than that of "De Sacramentis" is discussed by liturgiologists. Mgr. Batiffol is of this opinion, but we, on the contrary, think that the former bears traces of closer composition, of a more carefully guarded orthodoxy, and that consequently it is a text corrected from "De Sacramentis." We shall see, in studying the list of names in the "Memento" of the living and that of the dead, that Mgr. Batiffol argues with good reason that he can date these fragments from the pontificate of Symmachus (498-514). We thus have the state of the Roman Mass, or at least of the chief parts of the canon, at the beginning of the fourth century. A Sacramentary of a very special character, called "Leonine," because it has sometimes been attributed to St. Leo, and which seems to have been composed in the fifth century, contains Prefaces some of which seem to refer to events which took place in the previous century. It gives us other valuable indications as to the Roman liturgy of that time. The references to churches, to cemeteries, to Roman Saints, and even to the "chronique scandaleuse" of the day, are numerous. The style of the prayers, the use of the "cursus" and of rhythm, the liturgical terminology--in short, everything in this precious document has a Roman character.[3] Another Roman Sacramentary, the "Gelasian-"-attributed to the Pope of that name, Gelasius I (492-496)-- has been altered and retouched up to the eighth or ninth century; but, strictly speaking, its text is not authentic; and its principal elements only go back to the end of the fifth century. Like the "Leonine," we may, by studying it, find in it many Roman characteristics. It is divided into three parts: the Masses of the Feasts of the liturgical year, from Christmas to Pentecost, the "Proper of the Time," as we call it; the Masses of Saints, from St. Felix (Feb. 14) to St. Thomas the Apostle (Dec. 21), or the "Proper of Saints;" and the third part, containing Masses for Sundays, Votive Masses, and those for special circumstances. Whoever drew up this Sacramentary knew the "Leonine," and has borrowed numerous formulas from it, though these are quite differently arranged; the Roman style is even more evident than in the "Leonine;" the liturgical year takes the first place in the "Gelasian," and exercises a preponderating influence on the liturgy.[4] A third Roman Sacramentary, the "Gregorian," presents itself under conditions analogous with those of the "Gelasian." In spite of the uncertainty we must feel on finding it retouched again and again up to the ninth century (especially in Gaul), we cannot doubt that we have here a document of Roman origin. The author has taken the "Gelasian Sacramentary"as the basis of his work, which he reshapes, curtails, sacrificing all that appears to him purely archaic, but utilising the other elements. The attribution to St. Gregory (590-604) of this Sacramentary (with the exception, of course, of all the changes and additions which it underwent from the seventh to the ninth centuries) has been eagerly contested; but the most important liturgiologists are more and more inclined to accept the indications given by tradition on this point. In recent times an attempt has been made to recover the primitive "Gregorian Sacramentary," and the discovery of a copy at Monte Cassino is of the greatest importance.[5] At Rome again, during this period of the sixth-ninth centuries, when the liturgy became of such importance, liturgical books were composed which have not the same characteristics as the Sacramentaries, but which complete them. These books are the "Ordines Romani." The Sacramentaries give us the text of the prayers to be recited, but usually without indications as to the nature of the ceremonies. The "Ordines," on the other hand, take as their aim the dcscription of the ceremonies themselves; those of the Mass, in particular, giving on this point the necessary information. Their composition is spread over a period of many centuries (seventh-fifteenth). These "Ordines," some of which are of Roman origin, have, like the Sacramentaries, been retouched in Gaul, where the greatest liturgical activity was displayed from the eighth-eleventh centuries. But one of these "Ordines," the first of the series, is exempt from any retouching; it goes back to the eighth century and perhaps beyond it, and has even been, with some probability, attributed to St. Gregory himself.[6] In any case, it is possible without scruple to describe the Roman Mass in the seventh century under St. Gregory on the information here contained. Whatever doubts we may have as to their composition, all these documents do clearly show the interest taken by the Roman Church from the fifth-eighth centuries in the liturgy. No other Church can display a collection of documents of equal importance. Even now we have said nothing as to the composition of those music-books which are called "Gregorians," as we prefer to treat that question in an Excursus (see Chap. XII). Another indication of the interest taken by the Popes in the organisation and direction of Christian worship can be found in the "Liber Pontificalis." Some portions of its testimony have been quoted at the beginning of this chapter. But this document, which was not drawn up before the fifth century, professes to enlighten us upon the most ancient period of all, and to attribute to the earliest Popes certain acts concerning the liturgy, especially concerning the Mass.[7] All this information is by no means of equal value, and we may well ask what were the sources from which the author has drawn his information as to the first centuries. But from the fourth, and particularly from the fifth century onward, his testimony is of real value. THE ROMAN MASS It is by comparing all these documents, and by completing them by each other that certain contemporary liturgiologists have endeavoured to reconstruct the Roman Mass in the seventh century. Such are Edmund Bishop, Atchley, Dom Wilmart, Mgr. Duchesne, Mgr. Batiffol, and Dom Jean de Puniet, whose works are mentioned in the Bibliography; all having arrived at nearly the same results. Their reconstruction can therefore be accepted with confidence. It should be added that this Mass is really that celebrated at Rome by the Pope during the great solemnities; but it is also that of the Bishop in his cathedral, and that of the simple priest in his church, the number of ministers and clerics and the splendour of the ceremonies being always excepted; there is no essential rite peculiar to the Pope. We shall describe it here in some detail, for if modifications have been brought in later, the Mass has remained substantially the same, and in the following chapters on the Roman Mass from the seventh-twentieth centuries, we need only note what has been added or omitted. But the very fact that this is the Mass of the Pope and of his court explains any changes, for such a ceremony, in the presence of many Bishops and of a numerous assembly, could hardly remain unaltered. The "Liber Pontificalis" mentions several of the reforms which were made in it, but not all, since St. Gregory alone, as we know by his correspondence, made many alterations, of which the principal are: the introduction of the singing of the "Kyrie," changes in that of the "Alleluia," the alteration of the place of the "Pater," important modifications of the Gelasian text, and probably of the chant. We must not, then, be astonished if the Roman Mass has conformed far less to the primitive form than the Mozarabic, Gallican, or Ambrosian Masses, and more especially the Eastern liturgies. The Popes possessed an authority which allowed them to change any part of the ceremonial, and they used it. THE STATION.--The faithful, according to an invitation which was given at a preceding assembly, met in a church, whence they went in procession to another church, called the Church of the Station. The word "statio" is old Latin, which in military language means a watch or vigil. Hermas and Tertullian have given it the Christian sense of prayer arld fasting; thus Wednesday and Friday are called "Station Days," because they were days of fasting, on which Mass was celebrated. The word also means the plenary assembly of a church, and St Cyprian uses it in this sense. Finally it became a liturgical term at Rome, in the sense given above: that of a gathering of the faithful for the Papal Mass.[8] In the Roman missal we still find certain days designated in this way: "Statio ad Sanctum Petrum," "Statio ad Sanctum Paulum," etc. This means that on that day Mass was said at St. Peter's (of the Vatican), or at St. Paul's (Without the Walls), or at any other church mentioned. Such churches are the most ancient in Rome; the greater number existed in the time of St. Gregory (end of the sixth century), and many are very much older.[9] In all this we have the elements of a little course of topography and Roman archaeology; and scholars like Armellini, Grisar, Morin, Schuster, and others have carefully described these venerable churches. Every day during Lent, and some other days in the year, have under the heading of the Mass some indication of this kind. This list, according to Mgr. Duchesne, goes back to the seventh century, but Dom Morin considers it originated two centuries earlier. The greater number of these churches exist to-day; but the Station which in St. Gregory's time was so solemn a ceremony is now little more than a memory. Sometimes Mass was celebrated in the catacombs on the outskirts of Rome, and this was especially the case on the anniversary days of the death of a martyr, when it was probably said on the tomb in which his relics reposed. But after the year 410, when Rome was taken by Alaric, these cemeteries were exposed to the incursions of the barbarians, and it became the custom to transport the bodies of the martyrs to churches in the interior of Rome. The church" where the Station was to take place was a "Basilica," a great building inspired by architectural tradition as this was understood in the third and fourth centuries, but modified since by the Church for Divine service. Many of the most ancient Roman churches such as St. Clement, St. Sabina, St. Laurence-Withoutthe-Walls, have preserved this form. And even those which have been altered again and again, like St. PaulWithout-the- Walls, have been reconstructed on the same plan. It was that of a long building with a central nave, separated by columns from two lateral naves to right and left, with an altar at the end and in the axis of the principal nave; and behind the altar, an apse. At the end of the apse was the "cathedra," or Bishop's chair, and, all around it, stalls for the clergy; this was the choir. The part surrounding the altar is the sanctuary, with an "ambone," or pulpit, or sometimes two, one to right, the other to left. To-day, as the altar usually has a retable and a tabernacle, the priest when standing before it turns his back to the people; so that when he greets them with "Dominus vobiscum" he is obliged to turn round. The Bishop would be hidden on his "cathedra"at the back of the apse, and could hardly follow the ceremonies, therefore his throne, as well as the stalls of the clergy, have been moved to places before the altar. But if we wish to understand the ancient positions, it will help us to remember that at that time the altar was a "table" (hence its name of "mensa") of wood or stone, forming either a solid block or else raised on four feet, but in any case without a tabernacle; so that the officiating priest would face towards the people, as he does to-day at "San Clemente." In our own churches, of course, he officiates on the other side of the altar; the Gospel side being the left and that of the Epistle the right. As we explain elsewhere,[10] another consideration has brought about these changes: the practice of turning in prayer towards the East, the region of that light which is the image of Christ, Who Himself came from the East. The question of the orientation of churches was an important one in Christian architecture from the fourth-twelfth centuries. In the catacombs the tomb of a martyr could be used as an altar. When, lest their relics should be profaned, the bodies of the martyrs had been brought from the cemeteries in the Roman "campagna "into the churches of the city, they were usually placed beneath the altar. In any case, the altar was henceforth a sacred object. The word "mensa" (table) recalled the Last Supper of the Lord; it was an image of Calvary where Christ was sacrificed for us; frequently it was a martyr's tomb; upon it was accomplished the tremendous Eucharistic Mystery, and thus it was dear to the devotion of the faithful. The liturgy ordains that the priest shall kiss it at the beginning and during the course of Mass; that he shall cover it with a "Corporal," the image of that winding-sheet in which Our Lord was buried; that he shall surround it with honour. All this was not instituted in the same detail during the earliest centuries, but it is a legitimate development of Catholic piety whose growth in intensity throughout the ages which followed we are now about to contemplate. At the time we are now considering (seventh century) there were neither crosses nor candles, neither tabernacle or retable; nor were there any of these things till the ninth, or even the eleventh, century[11] But the "ciborium," a kind of dome, or dais, usually supported by four columns, was in use from the fourth century onwards, and sometimes at Rome it was made of precious metal. The marbles, mosaics, chandeliers, and candelabras, the lamps hanging from the vaulted roof and other ornaments in use from the time of Constantine, show us that the Church has come out of the catacombs, and that to primitive austerity has succeeded the desire to surround Divine worship with splendour, upheld by the generosity of Christians. Let us return to the church where the faithful assembled and whence they started in procession, with the clergy and all those holding ecclesiastical office up to the Pope himself. for the church where the Station was to be held. THE LITANY. The "Kyrie Eleison."--During the march of the procession they sang a prayer which resembles neither the Collects nor Prefaces- which is neither an Anthem, a Responsory, a Tract, nor a Psalm, like those to be found in the Mass. It is a "Supplication," as the Greek etymology indicates. A cantor, or perhaps the priest himself, said an invocation, which all the people repeated, or to which they responded by an acclamation The most ancient memorial of this which we possess is the litany, which is said before the Mass of Holy Saturday At an early date (fourth century) Rome adopted the principal invocation of the Eastern liturgy, the "Kyrie Eleison" (Lord, have mercy upon us). But Rome added the "Christe Eleison," and thus we have that chant to the Trinity with wh"with which in future all litanies were to begin: "Kyrie Eleison "(thrice)--The Father "Christe Eleison (thrice)--The Son "Kyrie Eleison "(thrice)--The Holy Ghost. The "Kyrie Eleison" is thus borrowed from the Greek liturgy, but marked with the seal of Rome. When St. Gregory was reproached for having introduced it into the Roman liturgy he could not deny the fact that he had done so, but he pointed out that he had modified its form. Among the Greeks it was sung by all- at Rome it was sung by clerics, the people repeating the words after them (or, according to the correct expression, responding). Furthermore, says the Pope, the people confine themselves to these acclamations at the daily Masses, while at others (probably at the stational Masses) other words are added. What are these words? Other invocations, probably, such as we see in those litanies preserved to us, like that of Holy Saturday. Apart from the Mass the litany was frequently used in processions and in the canonical office, and St. Benedict remarks this in the sixth century.[12] THE INTROIT (Lat. "introire," enter) is really the commencement of the Mass. It is a chant sung while the Pontiff proceeded solemnly from the sacristy to the church. It was usually sung by cantors, and as was customary for all psalms from the fourth century onwards, closed with a doxology, "Gloria Patri et Filio et Spsritui Sancto." Our "Introits "have preserved but one verse of the psalm and the doxology. Sometimes the words are chosen from other books of Scripture than the Psalter; they are even occasionally taken from the Apocryphal books. The Roman liturgy, usually so severe, shows itself accommodating upon this point. The "Accipite jucunditatem" of the Tuesday after Pentecost is taken from IV book of Esdras (apocryphal), which has also furnished the "Introit" for the Mass of the Dead, "Requiem aeternasn dona eis Domine." That "Introit" of many Feasts, "Gaudeamus in Domino," is also extra-scriptural; while the "Salve Sancta Parens" of Masses of Our Lady is taken from Sedulius, a poet of the fifth century. We have already said (Chap. IV, note) what must be thought of the text which attributes the introduction of the "Introit" to Pope Celestine (422- 432). But its presence is noted in the Gelasian Sacramentary and in "Ordo Romanus I". From this Mgr. Batiffol concludes that it is a Roman creation of the sixth century--at least, under the form described. One of St. Gregory's successors, Hadrian (772-795) attributes the composition, or at least the arrangement, of the Roman Antiphonary to the former Pope; and tells us at the same time that this book began with "Ad Te levavi," the first words of the Advent "Introit." The Gelasian books began with the Feast of Christmas: the celebrated lines are as follows: Gregorius praesul, meritis et nomine dignus, Unde genus ducit summum conscendit honorem. Renovavit monumenta patrum priorum. Tunc composuit hunc libellum musicae artis Scolae cantorum anni circuli: Ad Te levavi.[13] Elsewhere (Excursus, ii. Chap. XII) we shall speak of the music composed for the "Introit." It is enough to say here that it has not preserved the characteristics of a processional chant any more than it has the primitive form of a psalm. THE KISSING OF THE ALTAR.--At the Pontifical ceremony on Good Friday the prelate with his ministers leaves his throne at the beginning of the office, goes to the altar, kisses it, and returns to his place. This is an act of the most remote antiquity; a mark of devotion to that altar which is sacred; and which when the church was consecrated was blessed with so great solemnity. Mgr. Batiffol rightly reminds us that this act is peculiarly Roman (loc. cit., p. 117). It is repeated many times during Mass (cf. Excursus, "Liturgical Acts," p. 232). THE GLORIA IN EXCELSIS.--At certain Masses, after the "Kyrie," the "Gloria in Excelsis" is sung. It has no relation to the "Kyrie," and is not sung or said in the ancient Masses for Vigils, nor in those of Holy Week, nor of Lent, nor of ferials, and in reality its proper place is not in the Mass any more than in any other office. Indeed, at the beginning, it was not, as it is to-day, consecrated to the Mass alone.[14] It is a doxology in honour of the Father and the Son. The Holy Spirit only comes in at the end; and this is perhaps an addition. It is thus very probably anterior to the fourth century, for from the time of the Arian disputes the doxology was almost always trinitarian.[15] This is confirmed by its presence in the "Apostolic Constitutions." It was early adopted by Rome, with many other Greek formulas; but, to begin with, only at the first of the three Christmas Masses, where its place is admirably justified. Pope Symmachus extended its use to every Sunday and to the Feasts of the martyrs; but only for episcopal Masses; it was said by priests only at Easter. Then, little by little, as was the way with so many other chants and ceremonies, the reserves were done away with, and its use became much more frequent. It is almost unnecessary to say that it is an admirable prayer; that it is the expression of a very beautiful mysticism, and that it is of great Christological importance. It has been the subject of many works, to which we can only refer.[16] THE COLLECT.--The Pontiff arrived at the church to the singing of litanies if there was a Station, or to that of the "Introit" when the procession came from the sacristy. He greeted the people, as St. Augustine has told us, with the "Pax vobis," or "Dominus vobiscum," to which they responded "Et cum spiritu tuo;" after which the celebrant said a prayer of a very special nature, called the "Collect." The general term is "oratio." There are three of these prayers in the Mass--the first that just mentioned; the second the "oratio super oblata," or Secret; and, lastly, the "oratio ad complendum," or Post-Communion. The Collect is the "oratio prima." As it was said at the moment when the faithful were assembling for Mass, some have thought that this was the origin of its name, "oratio ad collectam," prayer at the moment of meeting. Others have thought it was derived from the fact that the celebrant here collects and expresses the intentions of all those present. The term is not exclusively Roman; in the Gallican liturgies we find prayers called "collectiones." We have a large number of such prayers in the Roman missal. Their character is easily recognised, especially that of the most ancient, which are really of Roman origin, and which are distinguished by the clearness of their style, and the elegance and symmetry of their composition. Such is the following, chosen haphazard: Deus qui ineffabilibus mundum renovas sacramentis: praesta, quaesumus, ut Ecclesia tua et aeternis proficiat institutis, et temporalibus non destituatur auxiliis. Per Dominum.... (Friday of the fourth week in Lent). The old Roman books, such as the "Leonine," "Gelasian," and "Gregorian Sacramentaries" contain a great number of these prayers, which are of equal interest from the literary and theological standpoints. The character of these prayers in the Roman liturgy has been much praised; they are always short, precise, elegant, and of a scholarly rhythm. Those of the other Latin liturgies, such as the Gallican and Mozarabic, are, on the contrary, much longer and more diffuse, clearly betraying a time when the Latin tongue was scarcely spoken except by the barbarians, and was falling into decadence. We see that there was at that period no question of the prayers now said at the foot of the altar (Psalm xlii., the "Confeteor" and the rest). It was only later that these were added to the Mass (cf. Chapter IX). Not only, however, have we preserved the use of the Collects, but the greater part of them are very ancient, dating from the seventh and even from the fifth century. Originally there was only one Collect; now we have often a sequence of several--memorials of another Feast, prayers to the Holy Ghost, to Our Lady, or for other intentions. THE READINGS AND THE CHANTS (GRADUAL, ALLELUIA TRACT, EPISTLE).--The "Collect" is followed by a reading or lesson from Holy Scripture (Old or New Testament) called the "Epistle," because it is often taken from the Epistles of St. Paul. It was read from the pulpit by one of the ministers, usually a Lector. To-day it is reserved for the sub-Deacon. It is usually contained in a special book called the "Epistolary." The most ancient of those copies, which have come down to us under the title of "Lectionaries," go back to the eighth century, or to an even earlier epoch, that of the seventh century. In some ancient copies of the Bible these lessons are marked. The study of the "Lectionaries" is most useful for the right understanding of the liturgy.[17] We have seen that in Africa (fourth and fifth centuries) there were sometimes three lessons--one from the Old Testament (Prophecy), one from the Epistles or Acts of the Apostles (Apostolic reading), and finally the Gospel. On certain days like vigils or the Ember Days we have several Lessons in the Roman Mass; on the vigil of Pentecost there are six; on that of Easter, twelve. But these are exceptional cases, and these vigils were really night offices, each with their own special characteristics. The custom in the Mozarabic and Gallican liturgies is to have three lessons--the Prophecy, the Apostolic Lesson, and the Gospel. It is also, though not without exceptions, the Eastern custom. Liturgiologists have asked whether, at a certain epoch --say, before the fifth century--the Roman Mass had not also its three Lessons, of which the first was omitted later on. In any case, the reading of the Old Testament during Lent has taken the place of the Apostolic Lesson. With the three Lessons we can better understand a certain gradation in the form of the Pre-Mass--Old Testament, New Testament (from the Apostolic part), and, lastly, the Gospel, which in solemn Masses is surrounded with great solemnities. It has also been pointed out that in the Roman Mass the "Alleluia" follows the "Gradual." Two consecutive chants are not according to the ancient and normal custom, in which a reading should be followed by a chant or responsory. The psalmody or singing of a psalm alternates with the reading. This would be another indication of the presence of three Lessons--the "Gradual" after the "Prophecy," the "Alleluia" after the "Epistle." As a matter of fact, the "Gradual" to-day follows the "Epistle," as also, according to circumstances, does the "Alleluia" or the "Tract." The "Prose," when there is one, follows the "Alleluia," on which it originally depended. The "Gradual" was thus styled at Rome because it was sung from the pulpit on the altar steps, "Gradus." Its generic name is "Psalmus responsorius," as St. Augustine tells us. This particular way of singing a psalm in responses differs from the Anthem. It was executed by a cantor, the choir answering with a refrain or "Response" taken from the same psalm. Our own "Gradual" has kept these general characteristics; it is sung by a cantor, or a "schola," the choir taking up part of the verse; but the rest of the psalm has been suppressed. The "Gradual" is one of the chief elements of the Pre-Mass; we have seen the importance attached to it by St. Augustine, who sometimes commented on it in his homilies, and regarded it as one of the Lessons. At Rome until the time of St. Gregory it was, like the Gospel, sung by a Deacon. St. Gregory, however, doubtless found some inconvenience attached to this practice, and withdrew this privilege from the Deacons. But the "Gradual" kept its place of honour among the chants of the Mass, while the singing of the Anthems "Introit," "Offertory "and "Communion," which are, chronologically, later than the "Gradual," was carried out by the "schola," or by the people themselves, since these chants were instituted to occupy the faithful during the course of a procession.[18] The "Alleluia" is a chant of a special character. Of Hebraic origin, like "Amen" and "Hosanna," it was adopted by the Christians, and is found in the Apocalypse. It is frequently used, like the "Sanctus" and other acclamations; but not at first in the Mass. The word means "Glory to God," and often occurs in the Psalms, some of which are called "alleluiatic" for this reason. The time and occasion of its introduction into the Mass are not very well known. But the custom existed from the days of St. Augustine, who speaks of the "Jubilus," a kind of prolonged "melopeia" on the last "a" of "Alleluia;" but he does not say whether it was followed by a psalm, as it is to-day. It was chiefly sung on Easter Day and in Paschal time. Sozomenus tells us that it was only sung at Rome on that day, but is his information accurate? The real custom was to sing it during the whole of Paschal time. And St. Gregory, again inspired by the Greek custom, extended its use beyond Paschal time, probably to every Sunday and Feast day of the year. Doubtless through its analogy with the "Gradual" a verse of Scripture was sung after it, but this verse is not always taken from the Psalter. The "Alleluia" is omitted on vigils, on certain ferials, at the Office of the Dead, and from Septuagesima till Holy Saturday. In some countries in the Middle Ages this suppression of the "Alleluia" was marked by a ceremony called the "Burial of the Alleluia," held on the Saturday before Septuagesima. It is needless to say that this ceremony was not observed in Rome, nor any others which appeared contrary to the austerity of the liturgy. Tropes, Proses, and the Mysteries which were derived from them did not originate in Rome. It was by no means at an early date, and even then, as it would seem, almost against her will, that she adopted four of the most beautiful of the Proses: "Victimae pascali laudes," "Veni Sancte Spiritus," "Dies Irae," "Lauda Sion," and much later, the "Stabat." But at the time of which we speak (fifth-seventh centuries) there was no question of these compositions. We shall speak of them in Chapter IX, and shall then see how they were attached to the "Jubilus" of the "Alleluia." To-day, when the "Alleluia "is omitted, its place is taken by a much more ancient chant, the Tract. The "Tract" (Tractus) is also rather obscure in its origin. What is certain is that the manner of its singing (it has no refrain nor is it repeated, hence its derivation from "tractim," meaning with a single stroke) is of the highest antiquity. St. Benedict refers to it in his Rule, but in connection with the Omce, in which it was probably used before its introduction into the Mass. In the Roman antiphonary it has preserved its original character better than the other chants; it is almost always a psalm, or at least several verses of a psalm, and even the tone to which it is sung recalls more faithfully its psalmodic origin. THE GOSPEL.--The reading of the Gospel is the end of the Mass of the catechumens; in a certain sense it is its crown and fulfilment. This gradation observed between the reading of the Prophecy, that of the Epistle, and finally of the Gospel, is more marked, as we have noted, in certain other liturgies than in the actual Roman Mass; but, on the other hand, Rome has always surrounded the singing of the Gospel with great solemnities. The function was reserved for the Deacon, who was accompanied to the pulpit by acolytes bearing candles and incense, and the book was kissed by the celebrant. All that was the custom in St. Gregory's time; and this Roman practice is the same as that of the church of Jerusalem in the fourth century, as Etheria tells us. St. Benedict too, at the end of the fifth century, in the office for vigils (matins) for Sundays and Feast days, which he has so carefully composed, seems to have been inspired by the same principles and to follow the same lines as those of the Pre-Mass, with its singing of psalms, readings from the Old and New Testaments accompanied by responses, the "Te Deum," and lastly the solemn reading of the Gospel. Those Gospels to be read at Mass at that time, as also to-day, were usually contained in a special book called the "Evangeliarium." The richness of its binding, the perfection of the penmanship, and the beauty of the illumination of some of these books is a urther proof of the devotion of Christians to the Gospel. As to this the "Ordo Romanus I," which we are analysing here, tells us that the "Evangeliarium" used at the Papal Mass was enriched with jewels; and that in order that these jewels should not be stolen it was enclosed in a casket sealed with the seal of the "Vestararius," and only opened at the moment of the reading of the Gospel. Another Roman custom of the eighth-twelfth centuries was that the Deacon reading the Gospel should turn to the south, and not to the north, as he does to-day. The "Credo" was neither read nor sung in the Roman Mass until much later (see Chap. VI). The dismissal of the catechumens and others outside the fold customary in the fifth century, and which was maintained much longer in some other liturgies, was suppressed at Rome, probably in the sixth century. The diaconal prayer at this juncture was also suppressed and the Mass of the catechumens closed with the reading of the Gospel. But the Gallican, Mozarabic, and Celtic liturgies have preserved this diaconal prayer which formerly had its place in the Roman Mass (cf. Chap. IV). THE MASS OF THE FAITHFUL OFFERTORY.--It is still the custom for the celebrant to turn towards the people after the Gospel and to say: "Dominus vobiscum, Oremus." This salutation is generally followed by a prayer. Here, after this solemn announcement, the priest reads the Offertory and carries out certain functions, but no prayer follows. Something has evidently been suppressed here, and the anomaly has naturally intrigued the liturgiologists. Mgr. Duchesne thinks that the "Prayer of the Faithful" used to be in this place, and this hypothesis has secured widespread approval. It is certainly specious, for that prayer had its own place, and that an important one, in most of the ancient liturgies. After the departure of the catechumens and others outside the fold, who were not allowed to assist at Mass, the faithful were invited to pray for several intentions: the Church, The Pope, Bishops and other ministers, the Emperor, the sick, travellers, etc. This prayer is no longer found in the Roman Mass, but during Holy Week (since it is there that we must always seek the traces of the most ancient customs) we have in Good Friday's morning office certain solemn prayers which are nothing less than the "Prayer of the Faithful," and which may be considered as one of the jewels of the Roman liturgy. Was it a prayer of this kind which was announced by the "Dominus vobiscum" and "Oremus "mentioned above? It would certainly be possible, but another conjecture has been made, and this appears to be better founded. We may first remark that the "Prayer of the Faithful" has not entirely disappeared. The "Te igitur "recalls it, and sums up its principal features. Lastly, the Ambrosian, so near a neighbour of the Roman liturgy, has at this very place an "Oratio super sindonem;" this linen cloth is the "Corporal," which at this moment is placed upon the altar. The Roman Mass has the same ceremony, but of the prayer has only retained the "Dominus vobiscum "and "Oremus." The "Gelasian Sacramentary" has also preserved traces of this prayer.[19] At the Roman Mass, after the Deacon had spread the Corporal presented by the acolyte upon the altar, the Pope descended from his throne, and went to receive the offerings, those of the men first, the order of precedence being sedulously observed, according to Roman tradition. It may perhaps be said here that St. Benedict, who was very faithful to the Roman spirit and often draws his inspiration from the Roman liturgy of his day (sixth century), has a whole chapter, "De ordine congregationis," in which he too insists on the order of precedence for the Kiss of Peace, the Communion, and for the whole choir office. After the men's offering came that of the women, who occupied the other side of the nave, the congregation at that time being divided in two parts. The offering was made in the following way: each person offered a small flagon of wine and a loaf; the wine was emptied into a great chalice, and the bread placed in a white cloth held by two acolytes. It goes without saying that as yet there was no question of unleavened bread; that offered here is the usual leavened bread. This distinction between leavened and unleavened did not then exist; it was only much later, and especially about the eleventh century, that a quarrel, which in our own opinion was unnecessary, arose between the Eastem and Westem churches on this subject.[20] The most important thing to notice is that the offering as we have just described it is a Roman custom, also followed in Africa and at Milan. In the Gallican, Mozarabic, and Greek liturgies the preparation of the offering was made before Mass. After the offering had been made the Pope retumed to his throne and washed his hands in preparation for the Sacrifice; after which he went to the altar, where the oblations had been placed, the bread on one side, the chalice into which the wine had been poured on the other. Mgr. Batiffol aptly recalls a fresco at Ravenna, and also the famous chalice of Gourdon (sixth century), preserved in the Cabinet of Medals. A reproduction of the latter is given in DACL, at the word "calice." THE OFFERTORY CHANT--All the time that this was going on--doubtless rather a long time--the "schola" had sung the "Offertory "psalm; and when the Pope arrived at the altar he made a signal for the singing to stop, whether the psalm were finished or not. This "Offertory" chant, as well as those of "Introit"and "Communion," had not, we repeat, the importance of the "Gradual," which formed a whole apart; the former might be interrupted or abridged without difficulty. If the "Introit "is a Roman creation of the sixth century, as Mgr. Batiffol declares, the "Offertory" and "Communion "chants are older, and were probably first instituted in the church of Carthage. We may remember that St. Augustine was obliged to write a book to defend this custom of chanting a psalm during the Oblation and the Communion.[21] THE SECRET.--What, first of all, does this word mean? More than any other it has given rise to discussions. Is it a substantive or an adjective? Very naturally it has been compared with analogous terms like "Missa"for "Missio," "Oblata" for "Oblatio." Thus, it is asked, is not "Secreta" for "Secretio?" Bossuet, who was the first to risk this interpretation, did so with circumspection; the "Secretio," or "separation," meaning the separation of the oblations. Others have taken it to be an adjective qualifying the word "Oratio" understood; thus it would mean a secret prayer, or one said in a low voice. Each interpretation presents serious difficulties. In our own opinion, and that of others, "Secreta"is a substantive synonymous with "Mysteria." Thus we sometimes find the expression "Oratio super Secreta;" aud again, the whole canon is called "Secreta," the "Mysteries."[22] At the epoch of which we are speaking this was the only prayer made over the oblations, "super oblata." The Offertory prayers in the present Missal, "Suscipe sancte Pater" and the rest (cf. Chap. IX), are of more recent introduction, and probably of Gallican origin. There was then no question of censing the "oblata"at Rome. Doubtless at the "Introit" and the "Gospel" a golden censer was carried (thymiamaterium aureum), but this was merely a vase of perfume which was not used for censing; it was not the "thuribulum." This custom is of Gallican origin, and was not introduced at Rome until after the eleventh century.[23] The "Secret," the only "Offertory "prayer, had thus at that time a special importance; and its formulas should be carefully studied in our Missal. In its composition, and it may be said in its functions, it corresponds to the "Collect" and the "Post-communion." Each of the three, as the principal prayers of the Romau Mass, has its own "role," but all three correspond; they are fashioned in the same mould and follow the same laws of composition and rhythm. Attention has often been called to the sobriety, simplicity, firmness, and elegance of the purely Roman style, which has so well preserved the chief qualities of the best classical manner. These characteristics will be noted all the more clearly if we compare these prayers with the corresponding composition of the other Latin liturgies, of which some examples are quoted in Chapters VI and VII. But what is especially remarkable is less the literary quality than the depth and certainty of the teaching given us in these Roman prayers. Here, above all, appear the mastery and the superiority of the liturgy of that Church which is Mother and Mistress. To speak only of the "Secrets," we find that more than one affirms the faith of the Roman Church in Transubstantiation; and Bossuet has made good use of this fact against the Protestants in his explanations of the prayers of the Mass. THE PREFACE.--The adoption of the "Sanctus" as well as other circumstances have led the Roman and the other Churches, both Greek and Latin, to divide into several parts that Eucharistic prayer which, in the second and third centuries, forms a single uninterrupted whole up to the final doxoiogy (before the "Pater") (cf. Chap. IV). The first part of this Eucharistic prayer has become what is called at Rome the "Preface," "Praefatio" (a word in use at Rome from the sixth century, and already mentioned at the Council of Carthage in 407). It was a general term, meaning rather a prayer or blessing than an introduction, in the sense the word is used to-day. There are "Prefaces" for the blessing of fonts and of the holy oils, and for ordinations. The "Exultet" at the blessing of the Paschal Candle is also a "Preface." That it was an improvised prayer the great number of its formulas would prove. Many of these date back to the fourth century. The Leonine Sacramentary contains a rich collection of "Prefaces," many of which bear the stamp of their time and allude to contemporary events (fourth-fifth centuries). The Gelasian has also a large number, but the Sacramentary of St. Gregory accepted only eleven, to which were added later (eleventh century) the "Preface" of Our Lady, and in our own day that of the Dead, one for St. Joseph, one for Christ the King, and another for the Sacred Heart. All these "Prefaces" present the same general characteristics; they begin with the same protocol; they are addressed to God the Father Almighty through Jesus Christ Our Lord. On this point the "Preface" is not distinguished from the "Collects" and other Roman prayers. But it has greater scope; it refers to the Feast which is being celebrated, or even to contemporary events (as in the Leonine), or to the blessing about to take place (baptismal fonts, ordinations, Paschal Candle, etc.). At Mass the "Preface" always closes with a formula leading to the "Sanctus." The Roman "Preface" is composed with the same care and according to those same rules of the "Cursus" as are the "Collects" and other prayers. These "Prefaces" are usually as remarkable for their workmanship as for their theological teaching, as, for example, that for the Holy Trinity and that for Christmas. If our present aim were to comment on the prayers of the Mass, it would be necessary to pause here for some time to underline the importance of the "Prefaces" of our Missal, of the "Communicantes" which on certain days accompany them, and to compare them with the "Illationes" or "Contestationes" of other Latin liturgies, notably with those of the Mozarabic rite, which are sometimes actual theological treatises or biographies of Martyrs and Saints. THE SANCTUS.--The "Sanctus," like the "Gloria in Excelsis" the "Te decet laus" and other chants, goes back to the most ancient Christian antiquity. It is in reality taken from the Old Testament, from Isaias. It must have been in use at other times than in the Mass, as we see by a quotation from Tertullian, and by the Acts of SS. Perpetua and Felicitas. Its introduction into the actual Eucharistic prayer towards the fifth century, or even before it has somewhat modified the form of the latter by dividing it into several parts. It exists in two forms: in the Eastern Church the "Sanctus" is usually read as it exists in the text of Isaias. Rome, however, added to these words the second part: "Benedictus qui venit in nomine Domini," the words sung by the multitude at Jerusalem to welcome the Messiah on Palm Sunday. The other Latin liturgies have followed Rome in this custom, and this again is a point on which all these liturgies betray their unity. THE ROMAN CANON.--The word "Canon," Canon Missae" in our Missal, is the title of all the prayers which follow the "Sanctus." No other indication is furnished in the Missal to show where the "Canon" ends, and it would seem to continue till the Last Gospel inclusively. But according to a text of St. Gregory which we shall quote in connection with